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Sale Items
Artist: Pierre Ambrogiani
Still Life with Flowers of the Field
By Pierre Ambrogiani
Located in London, GB
'Still Life with Flowers of the Field', oil on canvas, by Pierre Ambrogiani (circa 1960s). Unique in its vertical orientation, the artwork depicts...
Category

1960s Expressionist Still-life Paintings

Materials

Canvas, Oil

La Montera
By Pierre Ambrogiani
Located in London, GB
'La Montera', gouache, watercolour and ink on art paper, by Pierre Ambrogiani (circa 1960s). The artist created many artworks with bullfighting as theme. In this case, a single torer...
Category

1960s Expressionist Portrait Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Still Life with Vessels and Violin
By Pierre Ambrogiani
Located in London, GB
'Still Life with Vessels and Violin', ink on paper, by Pierre Ambrogiani (circa 1950s). The artist intrigues the viewer with simple but elegant lines blurring the distinction between...
Category

1950s Modern Still-life Drawings and Watercolors

Materials

Ink, Paper

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Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual paper is 7.5 X 5.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
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Materials

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Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods Hand signed. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
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Previously Available Items
Still Life with Vessels and Violin
By Pierre Ambrogiani
Located in London, GB
'Still Life with Vessels and Violin', ink on paper, by Pierre Ambrogiani (circa 1950s). The artist intrigues the viewer with simple but elegant lines blurring the distinction between...
Category

1950s Modern Still-life Drawings and Watercolors

Materials

Ink, Paper

The Crowd
By Pierre Ambrogiani
Located in London, GB
'The Crowd', ink on fine paper, by Pierre Ambrogiani (circa 1950s). This original artwork presents simple and elegant lines, conveying a sense of crowded city life. The crowd include...
Category

1950s Modern Portrait Drawings and Watercolors

Materials

Paper, Ink

Fishermen in the Old Port
By Pierre Ambrogiani
Located in London, GB
'Fishermen in the Old Port', mixed media on art paper (circa 1950s), by Pierre Ambrogiani. Traditional fishermen whose families go back generations can still ...
Category

1950s Expressionist Figurative Drawings and Watercolors

Materials

Mixed Media

Carpenter and Nursing Mother
By Pierre Ambrogiani
Located in London, GB
'Carpenter and Nursing Mother', pencil, ink and gouache on paper (c. 1960s). A mother breast feeding her infant looks on peacefully at the father of the...
Category

1960s Modern Figurative Drawings and Watercolors

Materials

Paper, Ink, Gouache, Pencil

The Picador
By Pierre Ambrogiani
Located in London, GB
'The Picador', watercolour on paper (c. 1940s), by Pierre Ambrogiani (1907 - 1985). In the original days before bullfighting became recognisable in today's form, the picador was the ...
Category

1940s Modern Animal Paintings

Materials

Watercolor

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