All Items from this Seller (318)

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

"In my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the paint...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

"I have always loved the patina of old toys, wagons, cars. I love the look of time and timelessness. A thing never becomes really beautiful until it is washed by use and attention. I...

“I begin this short essay with my artists’ statement from 1997 because it illustrates my focus on emotion instead of on subject matter starting early on. I approached the idea of writing about what I paint back then with dread and tried to bypass it by being as honest as possible about my process. I’d like to think that I paint anything I want because through paint I can express how I feel. I started training to be an artist in early childhood. I studied texture. I learned about composition. I played with color and observed the beauty of line. My methods were unconventional and invented by me. Many different things inspired me: Cheerios in milk, clouds, hands in food, dry dusty dirt, wet mud puddles, coloring books, fashion photos in the newspaper and my keen need to observe my surroundings. When asked what I wanted to be when I grew up I had no answer. I just wanted to watch, and to observe the world around me. I’ve worked for years on a response to that complicated question “what is the work about?” I’ve developed all kinds of stories that seem to make sense at the time, but I have to ask, “isn’t this the same question as ‘what do you want to be when you grow up?”’ I am drawn to the figure, and to capturing physical expression in all types of situations, but especially when we are on our own. The body carries emotion, and most people are unaware that they reveal something of themselves when observed in private moments. When I was young I realized that I could easily understand the unspoken just by watching. It felt like a strange and isolating gift – and sometimes a curse – and I often felt confused and acted out in anger when the words didn’t match what I saw. But I still recognize all kinds of emotion there, and whether what I see is true or not, I relish the vulnerability of the moment. Color is another important tool for me. It’s a self-taught endeavor and one that I explore daily. Color mixing is similar to building flavors in a soup. A soup with just salt is watery and uninteresting. As in cooking, I pay close attention from the first layers what each color feels like in terms of its value, whether it’s warm or cool, and how it fits the composition. I am looking for something that feels harmonious with my nervous system. I begin with abstract shapes, then ask, “Is this shape interesting? Does this color work next to that one? Is it too strong? Is it helpful to the overall composition?” The more complex the mix, the more likely it is to hold my attention, and allow me to linger. Those puddles of paint sitting on my six foot glass palette...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

“I begin this short essay with my artists’ statement from 1997 because it illustrates my focus on emotion instead of on subject matter starting early on. I approached the idea of writing about what I paint back then with dread and tried to bypass it by being as honest as possible about my process. I’d like to think that I paint anything I want because through paint I can express how I feel. I started training to be an artist in early childhood. I studied texture. I learned about composition. I played with color and observed the beauty of line. My methods were unconventional and invented by me. Many different things inspired me: Cheerios in milk, clouds, hands in food, dry dusty dirt, wet mud puddles, coloring books, fashion photos in the newspaper and my keen need to observe my surroundings. When asked what I wanted to be when I grew up I had no answer. I just wanted to watch, and to observe the world around me. I’ve worked for years on a response to that complicated question “what is the work about?” I’ve developed all kinds of stories that seem to make sense at the time, but I have to ask, “isn’t this the same question as ‘what do you want to be when you grow up?”’ I am drawn to the figure, and to capturing physical expression in all types of situations, but especially when we are on our own. The body carries emotion, and most people are unaware that they reveal something of themselves when observed in private moments. When I was young I realized that I could easily understand the unspoken just by watching. It felt like a strange and isolating gift – and sometimes a curse – and I often felt confused and acted out in anger when the words didn’t match what I saw. But I still recognize all kinds of emotion there, and whether what I see is true or not, I relish the vulnerability of the moment. Color is another important tool for me. It’s a self-taught endeavor and one that I explore daily. Color mixing is similar to building flavors in a soup. A soup with just salt is watery and uninteresting. As in cooking, I pay close attention from the first layers what each color feels like in terms of its value, whether it’s warm or cool, and how it fits the composition. I am looking for something that feels harmonious with my nervous system. I begin with abstract shapes, then ask, “Is this shape interesting? Does this color work next to that one? Is it too strong? Is it helpful to the overall composition?” The more complex the mix, the more likely it is to hold my attention, and allow me to linger. Those puddles of paint sitting on my six foot glass palette...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

My inspiration is drawn from modern architecture and minimalism. In my work, I juxtapose layers of paper with acrylic paint and a layer of thinly hand-cut paper strips insinuating th...

My inspiration is drawn from modern architecture and minimalism. In my work, I juxtapose layers of paper with acrylic paint and a layer of thinly hand-cut paper strips insinuating th...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

"My paintings are an exploration of the phenomena of light. The light that exists within the environment and the light that falls over the objects. I am continually amazed with the...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

"My paintings are an exploration of the phenomena of light. The light that exists within the environment and the light that falls over the objects. I am continually amazed with the...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker in contemporary painterly abstraction. Komarin's stalwart images have an epic q...

"My paintings are an exploration of the phenomena of light. The light that exists within the environment and the light that falls over the objects. I am continually amazed with the...

"My paintings are an exploration of the phenomena of light. The light that exists within the environment and the light that falls over the objects. I am continually amazed with the...

STEPHEN FOSS is widely known for the visually rich surface finish and color that show a return to heavily worked finishes in contemporary painting. His current body of work is a prim...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

"In my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the paint...

"In my current work I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the paint...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

STEPHEN FOSS is widely known for the visually rich surface finish and color that show a return to heavily worked finishes in contemporary painting. His current body of work is a prim...

STEPHEN FOSS is widely known for the visually rich surface finish and color that show a return to heavily worked finishes in contemporary painting. His current body of work is a prim...

"I have always loved the patina of old toys, wagons, cars. I love the look of time and timelessness. A thing never becomes really beautiful until it is washed by use and attention. I...

"I have always loved the patina of old toys, wagons, cars. I love the look of time and timelessness. A thing never becomes really beautiful until it is washed by use and attention. I...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

Gregory is a painter, sculptor and public artist working in a variety of media. He was born in Georgia and grew up in Colorado. He studied architecture at Arizona State University, r...

Gregory is a painter, sculptor and public artist working in a variety of media. He was born in Georgia and grew up in Colorado. He studied architecture at Arizona State University, r...

Gregory is a painter, sculptor and public artist working in a variety of media. He was born in Georgia and grew up in Colorado. He studied architecture at Arizona State University, r...

Gregory is a painter, sculptor and public artist working in a variety of media. He was born in Georgia and grew up in Colorado. He studied architecture at Arizona State University, r...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

A.J. Oishi's calm and peaceful paintings are created by compiling thousands of small dots. The circular designs that are common throughout her work symbolize individuals and their jo...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Hunt Rettig’s work sits at the nexus of installation, sculpture, and painting—a visual and conceptual experiment in pushing limits and cultivating wonder. Each of Rettig’s assemblage...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...