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Knowing Some History, mixed media monotype, by Melanie A Yazzie, Navajo, unique
By Melanie Yazzie
Located in Santa Fe, NM
Knowing Some History, mixed media monotype, by Melanie A Yazzie, Navajo, unique As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I...
Category

2010s Contemporary Mixed Media

Materials

Pastel, Monotype

The Walking One, mixed media, monotype, by Melanie Yazzie, Navajo, animal, red
By Melanie Yazzie
Located in Santa Fe, NM
The Walking One, mixed media, monotype, by Melanie Yazzie, Navajo, animal, red As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I ...
Category

2010s Contemporary Mixed Media

Materials

Oil Pastel, Watercolor, Monotype

End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit
By Allan Houser
Located in Santa Fe, NM
End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, P...
Category

1970s Contemporary Figurative Sculptures

Materials

Bronze

Cake Shop, woodblock print by Clifton Karhu, red, yellow, black, framed, Japan
By Clifton Karhu
Located in Santa Fe, NM
Cake Shop, woodblock print by Clifton Karhu, red, yellow, black, framed, Japan hand signed and numbered
Category

1990s Contemporary Landscape Prints

Materials

Paper

Koshihata Snow, woodblock print by Clifton Karhu, white, Japan, framed, signed
By Clifton Karhu
Located in Santa Fe, NM
Koshihata Snow, woodblock print by Clifton Karhu, white, Japan, framed, signed 1975 hand signed and numbered
Category

1970s Contemporary Landscape Prints

Materials

Paper

Kinkakuji Rain, woodblock print by Clifton Karhu, framed, green, orange, black
By Clifton Karhu
Located in Santa Fe, NM
Kinkakuji Rain, woodblock print by Clifton Karhu, framed, green, orange, black hand signed and numbered by the artist 16/100
Category

1970s Contemporary Landscape Prints

Materials

Paper

Shoji, woodblock print by Clifton Karhu, round, framed, brown, white, yellow
By Clifton Karhu
Located in Santa Fe, NM
Shoji, woodblock print by Clifton Karhu, round, framed, brown, white, yellow framed woodblock print hand signed and numbered by the artist
Category

1990s Contemporary Landscape Prints

Materials

Paper

Shishimai, woodblock print by Clifton Karhu, figurative, red, blue, Japan, frame
By Clifton Karhu
Located in Santa Fe, NM
Shishimai, woodblock print by Clifton Karhu, figurative, red, blue, Japan, frame AP6 Hand signed and numbered by the artist slight smudge on bottom of frame
Category

1970s Contemporary Figurative Prints

Materials

Paper

Grandfather, by Melanie Yazzie, red, sculpture, small, vertical, Navajo
By Melanie Yazzie
Located in Santa Fe, NM
Grandfather, by Melanie Yazzie, red, sculpture, small, vertical, Navajo limited edition of 40. Other colors may be available. Contact the gallery for more information. As a printm...
Category

2010s Contemporary Figurative Sculptures

Materials

Metal

Comet, by Glenn Green, painting, horizontal, blue, red, silver, abstract, large
By Glenn Green
Located in Santa Fe, NM
Comet, by Glenn Green, painting, horizontal, blue, red, silver, abstract, large
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Hot Mix, by Glenn Green, abstract, painting, contemporary, texture, black, red
By Glenn Green
Located in Santa Fe, NM
Hot Mix, by Glenn Green, abstract, painting, contemporary, texture, black, red Contemporary, textured painting on canvas with lush color. Artist is based in Santa Fe, New Mexico.
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Apache Family Herding Sheep, by Allan Houser, 1945, painting, Apache, landscape
By Allan Houser
Located in Santa Fe, NM
Apache Family Herding Sheep, by Allan Houser, 1945, painting, Navajo, Apache, landscape
Category

1940s Contemporary Landscape Paintings

Materials

Watercolor

Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
By Melanie Yazzie
Located in Santa Fe, NM
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Category

2010s Contemporary Mixed Media

Materials

Archival Ink, Archival Paper

Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, red, abstract
By Melanie Yazzie
Located in Santa Fe, NM
Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, red, abstract limited edition of 40. Available in red or silver. Inquire with the gallery for additional color options...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal

Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, silver, abstract
By Melanie Yazzie
Located in Santa Fe, NM
Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, silver, abstract limited edition of 40. Available in red or silver. Inquire with the gallery for additional color opti...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal

Growing Strong, by Melanie Yazzie, Native American, monotype, green, black, bird
By Melanie Yazzie
Located in Santa Fe, NM
Growing Strong, by Melanie Yazzie, Native American, monotype, green, black, bird natural wood frame 27.25" x 35.25" paper size 20" x 28"
Category

2010s Contemporary Abstract Prints

Materials

Monotype, Archival Paper

Travel In Dreams, by Melanie Yazzie, work on paper, abstract, yellow, green
By Melanie Yazzie
Located in Santa Fe, NM
Travel In Dreams, by Melanie Yazzie, work on paper, abstract, yellow, green
Category

2010s Contemporary Mixed Media

Materials

Watercolor, Monotype, Screen

Heart Message, by Melanie Yazzie, work on paper, framed, yellow, abstract, blue
By Melanie Yazzie
Located in Santa Fe, NM
Framed work on paper with monotype elements Hand pulled and painted 1/1 unique work of art As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage....
Category

2010s Contemporary Mixed Media

Materials

Plexiglass, Mixed Media, Archival Paper, Monotype

She Speaks To Me, by Melanie Yazzie, monotype, abstract, red, blue, framed
By Melanie Yazzie
Located in Santa Fe, NM
She Speaks To Me, by Melanie Yazzie, monotype, abstract, red, blue, framed
Category

2010s Contemporary Mixed Media

Materials

Monotype

The Dream, by Melanie Yazzie, Navajo, painting, vertical, turtle, blue, green
By Melanie Yazzie
Located in Santa Fe, NM
The Dream, by Melanie Yazzie, Navajo, painting, vertical, turtle, blue, green As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I m...
Category

2010s Contemporary Animal Paintings

Materials

Canvas, Acrylic

Apache Woman on Horseback, by Allan Houser, Haozous, painting, paper, horse
By Allan Houser
Located in Santa Fe, NM
Apache Woman on Horseback, by Allan Houser, Haozous, painting, paper, horse Painting on paper from 1946 by master artist Allan Houser. Ft. Sill Chi...
Category

1940s Contemporary Figurative Drawings and Watercolors

Materials

Watercolor

Songs of Renewal, sculpture, by Allan Houser, Apache, bronze, abstract, drummer
By Allan Houser
Located in Santa Fe, NM
Songs of Renewal, sculpture, by Allan Houser, Apache, bronze, abstract, drummer limited edition of 40 bronze sculpture lifetime casting Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow...
Category

1990s Contemporary Figurative Sculptures

Materials

Bronze

Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green
Located in Santa Fe, NM
Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green
Category

2010s Tribal More Art

Materials

Organic Material

Athena, by Troy Williams, sculpture, cement, green, outdoor, indoor, female
By Troy Williams
Located in Santa Fe, NM
Athena, by Troy Williams, sculpture, cement, green, outdoor, indoor, female Santa Fe artist
Category

2010s Contemporary Figurative Sculptures

Materials

Concrete

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female
Located in Santa Fe, NM
Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...
Category

1940s Tribal Figurative Drawings and Watercolors

Materials

Paint, Paper

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting
Located in Santa Fe, NM
Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...
Category

1940s Tribal Figurative Paintings

Materials

Paint, Paper

Silver Cloud, by Glenn Green, painting, blue, silver, red, abstract, textured
By Glenn Green
Located in Santa Fe, NM
Silver Cloud, by Glenn Green, painting, blue, silver, red, abstract, textured
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Seed Pod in Spring Shower, by Melanie Yazzie, painting, dogs, abstract, pink
By Melanie Yazzie
Located in Santa Fe, NM
Seed Pod in Spring Shower, by Melanie Yazzie, painting, dogs, abstract, pink Melanie Yazzie works in a wide range of media that include printmaking, pai...
Category

2010s Contemporary Animal Paintings

Materials

Canvas, Acrylic

Day Dreaming While Herding Sheep, by Melanie Yazzie, horse, sheep, painting
By Melanie Yazzie
Located in Santa Fe, NM
Day Dreaming While Herding Sheep, by Melanie Yazzie, horse, sheep, painting, wood Melanie Yazzie works in a wide range of media that include printmaking, painting, sculpting, and ce...
Category

2010s Contemporary Animal Paintings

Materials

Acrylic, Wood Panel, Monotype, Screen

Just Starting Out, by Melanie Yazzie, Navajo, painting, collage, horse, green
By Melanie Yazzie
Located in Santa Fe, NM
Just Starting Out, by Melanie Yazzie, Navajo, painting, collage, horse, green
Category

2010s Contemporary Animal Paintings

Materials

Acrylic, Wood Panel, Monoprint, Screen

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture
By Melanie Yazzie
Located in Santa Fe, NM
BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...
Category

2010s Contemporary Figurative Sculptures

Materials

Bronze

Night Chanters, black and white framed lithograph, kachina, limited edition
By Dan Namingha
Located in Santa Fe, NM
Night Chanters, black and white framed lithograph, kachina, limited edition 100 The Gallery Wall, Inc. now doing business as Glenn Green Galleri...
Category

1980s Contemporary Abstract Prints

Materials

Lithograph

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina
By Dan Namingha
Located in Santa Fe, NM
Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina
Category

1970s Contemporary Figurative Drawings and Watercolors

Materials

Charcoal, Watercolor

Frog and Spider Basket, Panama Rain Forest, Wounaan Tribe, handwoven, white, red
Located in Santa Fe, NM
Frog and Spider Basket, Panama Rain Forest, Wounaan Tribe, handwoven, white, red
Category

2010s Tribal Mixed Media

Materials

Organic Material

Basket, Panama, Rainforest, Wounaan Tribe, Mamina Chemorra, red, blue, purple
Located in Santa Fe, NM
Basket, Panama, Rainforest, Wounaan Tribe, Mamina Chemorra, red, blue, purple geometric diamond design silk weave extremely fine Darien Rainforest palm fiber and vegetal dyes handwo...
Category

2010s Contemporary More Art

Materials

Organic Material

Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven
Located in Santa Fe, NM
Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven
Category

2010s Tribal More Art

Materials

Organic Material

Turquoise Woman, sculpture, by Troy Williams, wood, turquoise, steel, nude
By Troy Williams
Located in Santa Fe, NM
Turquoise Woman, sculpture, by Troy Williams, wood, turquoise, steel, nude
Category

2010s Contemporary Figurative Sculptures

Materials

Steel

Black and White Basket, Wounaan Tribe, Panama, Rainforest, Geometric, Round
Located in Santa Fe, NM
Black and White Basket, Wounaan Tribe, Panama, Rainforest, Geometric, round The baskets are made by the Wounaan and Embera Indians from the Darien Rainfor...
Category

2010s Contemporary More Art

Materials

Organic Material

Toucan and Parrot Basket, yellow, cream, black, Tribal, Panama, Rainforest
Located in Santa Fe, NM
Toucan and Parrot Basket, yellow, cream, black, Tribal, Panama, Rainforest The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaan believe they emerged from the palm tree. They weave baskets from palm fiber and use natural dyes. The dyes are made from wood, plants, and earth. Achieving a particular color takes weeks. The rainforest baskets are of the highest quality to be found anywhere in the world. Comparable to the North American Pomo and Panamint baskets, widely considered the best weavers in the world. The Wounaan and Embera are the finest weavers working today. The area in which they live is extremely remote and dangerous to reach. From Panama City...
Category

2010s Contemporary Figurative Sculptures

Materials

Organic Material

Black and White Geometric Basket, Panama, Rainforest, Wounaan Tribe, Contemporary
Located in Santa Fe, NM
Black and White Geometric Basket, Panama, Rainforest, Wounaan Tribe,Contemporary The baskets are made by the Wounaan and Embera Indians from the Darien Ra...
Category

2010s Contemporary Mixed Media

Materials

Organic Material

Eagle Kachina, painting, by Dan Namingha, vertical, brown, red, black, turquoise
By Dan Namingha
Located in Santa Fe, NM
Eagle Kachina, painting, by Dan Namingha, vertical, brown, red, black, turquoise We present paintings, prints, and sculptures by Southwestern luminary, DAN NAMINGHA. Our collection ...
Category

1970s Contemporary Animal Paintings

Materials

Canvas, Acrylic

Large Free Range Critter, by Kerry Green, Santa Fe, soft, sculpture, rabbit
By Kerry Green
Located in Santa Fe, NM
Large Free Range Critter, by Kerry Green, Santa Fe, soft, sculpture, rabbit,pink Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...
Category

2010s Contemporary Abstract Sculptures

Materials

Felt

Somewhere on the Reservation, Bronze, Sculpture, Allan Houser, Apache, Singer
By Allan Houser
Located in Santa Fe, NM
Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...
Category

1970s Contemporary Figurative Sculptures

Materials

Bronze

San Carlos Girl, bronze, sculpture, by Allan Houser, Apache, woman, brown
By Allan Houser
Located in Santa Fe, NM
San Carlos Girl, bronze, sculpture, by Allan Houser, Apache, woman, brown lifetime casting limited edition Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist because he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is in many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, and The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. The ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *” Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...
Category

1970s Contemporary Figurative Sculptures

Materials

Bronze

Mended by Kerry Green, sterling silver, pin, pendant, valentine, heart, modern
Located in Santa Fe, NM
Mended, Heart by Kerry Green, sterling silver, pin, pendant, layered, stitched, modern Artist jewelry line, ready to wear as a pin or pendant. Made in ...
Category

2010s American Contemporary Brooches

Materials

Sterling Silver

Together, by Kerry Green, heart silver, pin, pendant, stitched, valentine, new
Located in Santa Fe, NM
Together Three Hearts, by Kerr Green, sterling silver, pin, pendant, stitched,contempoary Artist jewelry line from Santa Fe, New Mexico. Can be worn a...
Category

2010s American Contemporary Brooches

Materials

Sterling Silver, Silver

Two Hearts, by Kerry Green, sterling silver, pin, pendant, cast, layered, stitch
Located in Santa Fe, NM
Two Hearts, by Kerry Green, sterling silver, pin, pendant, cast, layered, stitch Artist jewelry collection from Santa Fe, New Mexico. Cast sterling sil...
Category

2010s American Contemporary Brooches

Materials

Sterling Silver

Leather Cuff bracelet with Navajo Geometric Element, By Melanie Yazzie, Navajo
By Melanie Yazzie
Located in Santa Fe, NM
Leather Cuff bracelet with Navajo Geometric Element, By Melanie Yazzie, Navajo Artist Jewelry series made in Santa Fe, New Mexico Melanie A. Yazzie (Navajo-Diné) is a highly regar...
Category

2010s American Contemporary Cuff Bracelets

Materials

Sterling Silver

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child
By Khang Pham-New
Located in Santa Fe, NM
A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...
Category

2010s Contemporary Figurative Sculptures

Materials

Marble

In My Garden, painting by Melanie Yazzie, Navajo, plants, yellow, red, flowers
By Melanie Yazzie
Located in Santa Fe, NM
In My Garden, painting by Melanie Yazzie, Navajo, plants, yellow, red, flowers
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Acrylic, Screen

Buffalo Dance, bronze, sculpture, by Allan Houser, brown, casting, Pueblo, dancer
Located in Santa Fe, NM
Buffalo Dance, bronze, sculpture, by Allan Houser, brown, casting, Pueblo,dancer limited edition bronze casting of 20 lifetime casting
Category

1980s Contemporary Figurative Sculptures

Materials

Bronze

Cloudy, Aluminum, Sculpture, by Kerry Green, Silver, Clouds, Stacked, Outdoor
By Kerry Green
Located in Santa Fe, NM
Cloudy, aluminum, sculpture, by Kerry Green, silver, clouds, stacked, outdoor limited edition of 8 signed and numbered by the artist on the base Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal

He Rescued Me, painting by Melanie Yazzie, Navajo, yellow, red, black, canvas, dog
By Melanie Yazzie
Located in Santa Fe, NM
He Rescued Me, painting by Melanie Yazzie, Navajo, yellow, red, black,canvas,dog
Category

2010s Contemporary Animal Paintings

Materials

Screen, Canvas, Acrylic

Rain Bird, by, Glenn Green, Steel, Sculpture, Outdoor, Silver, Sandstone, Base
By Glenn Green
Located in Santa Fe, NM
Rain Bird, by, Glenn Green, Steel, Sculpture, Outdoor, Silver, Sandstone, Base
Category

2010s Contemporary Abstract Sculptures

Materials

Steel

Whirling Bird, Sculpture, by Glenn Green, Santa Fe, Steel, Outdoor, Abstract
By Glenn Green
Located in Santa Fe, NM
Whirling Bird, Sculpture, by Glenn Green, Santa Fe, Steel, Outdoor, Abstract
Category

2010s Contemporary Abstract Sculptures

Materials

Steel

Begin Flight, monotype by Melanie Yazzie, abstract, Navajo, Native American, art
By Melanie Yazzie
Located in Santa Fe, NM
Begin Flight, monotype by Melanie Yazzie, abstract, Navajo, Native American, art Melanie Yazzie works in a wide range of media that include printmaking, painting, sculpting, and cer...
Category

2010s Contemporary Abstract Prints

Materials

Monotype, Mixed Media

Five Waiting, painting, by Brenda Kingery, Chickasaw, abstract, pow wow, red,
By Brenda Kingery
Located in Santa Fe, NM
Five Waiting, painting, by Brenda Kingery, Chickasaw, abstract, pow wow, red, "My paintings have been described as Narrative Symbolism. The paintings ...
Category

2010s Contemporary Abstract Paintings

Materials

Acrylic

Three Balancing Hearts, sculpture, by Kerry Green, Santa Fe, red, silver, outside
By Kerry Green
Located in Santa Fe, NM
Three Balancing Hearts, sculpture, by Kerry Green, Santa Fe, red, silver, outside Aluminum with painted surface limited edition 18 Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...
Category

2010s Contemporary Figurative Sculptures

Materials

Metal

Storage & Saving, painting, by Melanie Yazzie, abstract, Navajo, Blue, yellow
By Melanie Yazzie
Located in Santa Fe, NM
Storage & Saving, painting, by Melanie Yazzie, abstract, Navajo, Blue, yellow
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Chaco Visit, by Melanie Yazzie, Mixed Media, Painting, Yellow, Blue, Black, Pink
By Melanie Yazzie
Located in Santa Fe, NM
Chaco Visit, by Melanie Yazzie, Mixed Media, Painting,Yellow, Blue, Black, Pink Melanie Yazzie works in a wide range of media that include printmaking, painting, sculpting, and cera...
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Charcoal, Acrylic

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