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Item Ships From: Washington DC
Spring Patchwork, Mixed Media on Canvas
By Beth Cartland
Located in Yardley, PA
This artwork, through the bright yellows and blues and the dynamic energy of the lines, was trying to convey the feeling of spring; vibrant, new, and lively. :: Mixed Media :: Abstra...
Category

2010s Abstract Washington D.C. - Mixed Media

Materials

Mixed Media

Torch Horse II
Located in Washington, DC
Vincent George creates highly refined and modeled 2-dimensional works on wood using pyrography, or wood burning.
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Mixed Media

Heuristic #05
By Sungyong Hong
Located in Washington, DC
3-d lenticulary photography
Category

21st Century and Contemporary Op Art Washington D.C. - Mixed Media

Materials

Lenticular

The Catch, cutouts, maps, dancers, silhouetted figures
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps dancers, dancing art, maps, cutouts, cutout art. Title : The Catch Size :12x16 Date : 2018 Was...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Glass, Mixed Media

Jones 11, cutouts, maps, sports basketball
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps maps, cuutout, cutout art, football art, sports art, sportsmaps Title : Jones 11 Size :12x...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Glass, Mixed Media

Gorilla, cutouts, maps, mapart, animal art, gorilla mixed media
Located in Brooklyn, NY
Gorilla image embedded in layered glass. Created with cutouts, maps Title : Gorilla Size :12x16 Date : 2016 Paris
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Glass, Mixed Media

Love Bird cutouts, maps, sports bird animal
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps Map art, maps, cutouts, cutout art, paper art, birdlovers, birdart Title : love bird Size :...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Glass, Mixed Media

Daniel Brush Painting "untitled", 1973
Located in Washington, DC
Painting by Daniel Brush (1947-2022). Signed and dated 73'. Aquatec pigments, mediums and gels on board. Measures 60" x 10". Exhibited at the Phillips Collection, 1974 when Dan...
Category

1970s Abstract Geometric Washington D.C. - Mixed Media

Materials

Mixed Media, Board

Bearded Man with Cat
Located in Washington, DC
Painting by Noche Crist (1909 - 2004). Titled "Bearded Man with Cat". Catalogue of an exhibition in 2008 at the Katzen Art Museum in Washington D.C. is ...
Category

1960s Outsider Art Washington D.C. - Mixed Media

Materials

Wood, Casein, Plaster

Botanical Painting Ode to Angelo in Heaven
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo in Heaven". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2023 on reverse. Measurements are 22" x 30". Maryan...
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Mixed Media

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Sumi Ink, Archival Paper, Graphite, Wax Crayon

Noche Crist Sculpture
Located in Washington, DC
One of a kind sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester resin. Catalogue o...
Category

1970s Outsider Art Washington D.C. - Mixed Media

Materials

Acrylic Polymer

Casanova mixed media abstract
By Michele Zuzalek
Located in Washington, DC
16x20 Black frame white mat. Mixed media on paper
Category

20th Century Abstract Expressionist Washington D.C. - Mixed Media

Materials

Archival Ink, Acrylic, Graphite

Liberty and Flag
Located in Washington, DC
A large and unique mosaic composed of up-cycled computer keyboard keys set within a custom-designed brushed aluminum frame. Phrases incorporated into the mosaic including: the Pled...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Mosaic, Other Medium

Ringo Starr
Located in Washington, DC
A unique mosaic composed of up-cycled computer keyboard keys set within a custom-designed brushed aluminum frame. Words and phrases embedded within the mosaic: Don’t Pass Me By - ...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Mosaic, Other Medium

Disco Inferno
Located in Washington, DC
Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant painting is gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Gouache, Archival Paper

Piano Keys Rock -- 2023
Located in Washington, DC
EMBEDDED MESSAGES / TERMS Sing us the song, you’re the piano man / Sing us a song tonight / Well, we’re all in the mood for a melody / And you’ve got us feelin’ alright - BILLY JOEL...
Category

2010s Op Art Washington D.C. - Mixed Media

Materials

Other Medium

Picasso: "I do not seek, I find" -- 2021
Located in Washington, DC
* Youth has no age * Action is the foundational key to all success * It takes a long time to become young * The chief enemy of creativity is good sense * Learn the rules like a pro,...
Category

2010s Op Art Washington D.C. - Mixed Media

Materials

Mixed Media

Torch Horse
Located in Washington, DC
Vincent George creates highly refined and modeled 2-dimensional works on wood using pyrography, or wood burning.
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Mixed Media

Botanical Painting Ode to Angelo - Malibu
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo - Malibu". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2021 on reverse. Maryanne Pollock received her BFA...
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Mixed Media

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Archival Paper, Graphite, Wax Crayon, Sumi Ink

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

The Devil's Mirror
Located in Washington, DC
A major work by Noche Crist (1909- 2004). Titled "The Devil's Mirror" and signed on reverse. The mirror in the center of the painting reflects a distorted ...
Category

1980s Outsider Art Washington D.C. - Mixed Media

Materials

Oil, Mirror, Plaster, Wood

Large modern abstract horizontal painting titled Changing Tides
By Michele Zuzalek
Located in Washington, DC
Michele Zuzalek Large modern expressive abstract painting has ocean colors in seagrass blue, turquoise blue, sand, cream, gray, and white. Titled: Chan...
Category

20th Century Abstract Expressionist Washington D.C. - Mixed Media

Materials

Varnish, Oil Pastel, Archival Ink, Acrylic, Graphite

Large abstract modern vertical painting titled ‘Wildhorse’
By Michele Zuzalek
Located in Washington, DC
Large vertical original modern abstract painting. Titled "Wildhorse" This original mixed media painting features acrylics ink, and oil pastel on raw canvas. This inspiring and passionate work is unlike any other that I have painted. It is both urban and global in its feeling. The colors are black, gray, hints of gold, soft pink, white, cream. This vertical contemporary painting...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Varnish, Oil Pastel, Acrylic, Graphite

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Narrative Horse: Arabian (Feather Horse)
By Craig Alan
Located in Washington, DC
Mixed media. Feathers in shadow box, painted with acrylic on top surface of the plexi glass.
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Acrylic, Mixed Media

Narrative: Bridled (Hay Horse)
By Craig Alan
Located in Washington, DC
Mixed media - Real hay inside shadow box. Painted with acrylic on top surface of the plexi glass.
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Acrylic

Large abstract original painting in pinks and soft green titled 'Her Wild Heart'
By Michele Zuzalek
Located in Washington, DC
Large original abstract painting titled Her Wild Heart. This abstract painting on canvas features a vibrant interplay of pinks and greens, creating a dynamic and harmonious composi...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Charcoal, Oil, Canvas, Varnish

Abstract boho modern organic landscape painting titled ‘Oasis’
By Michele Zuzalek
Located in Washington, DC
Original Abstract landscape painting in mixed media on wood panel. Titled "Oasis" Rooted in my Mediterranean travels, this explosion of Boho colors explores the native flora. This painting is signed on the front and back, coated with an archival UV semi-gloss varnish for protection and light luster...
Category

21st Century and Contemporary Abstract Washington D.C. - Mixed Media

Materials

Oil Pastel, Archival Ink, Acrylic, Wood Panel

Large abstract modern painting in bold colors reds, turquoise, orange, green.
By Michele Zuzalek
Located in Washington, DC
Large contemporary abstract modern painting in on linen canvas in bold colors reds, turquoise, orange, green. It is titled 'Passages' and has an Ombré...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Canvas, Archival Ink, Acrylic

#neverfaraway a large abstract horizontal painting with mixed media.
By Michele Zuzalek
Located in Washington, DC
Large modern abstract expressionist painting titled '#neverfaraway'. This large horizontal work speaks to how connected we are to each other through social medial and also how we can...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Archival Ink, India Ink, Acrylic, Color Pencil, Graphite

Large abstract titled Positive Forward in mixed media with neutral colors.
By Michele Zuzalek
Located in Washington, DC
Large original abstract expressionism in a neutral palette. This contemporary painting has expressive marks, texture, and bold brush strokes. The title of the painting is Positive Fo...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Archival Ink, Acrylic, Graphite

Large abstract painting neutral colors titled 'New York-Encroachment'
By Michele Zuzalek
Located in Washington, DC
Michele Zuzalek large abstract contemporary painting in neutral colors titled 'New York- Encroachment'. This original mixed media painting features acrylics, ink, and oil pastel on canvas. This painting was inspired by the Empire Fulton Ferry Lawn. As the cities encroach on the natural environment it reminds us of its importance. Inspired also by the Brooklyn Bridge in New York. This painting is signed on the front and back and coated with an archival UV semi-gloss varnish for protection and light luster...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Archival Ink, Acrylic

The Busy Signals Pretend Hits LP
By Yoshitomo Nara
Located in Washington , DC, DC
Rare vintage 2001 12 inch vinyl record album with cover designed by Yoshitomo Nara. The front cover is printed to the very edges with nothing other than and image of Nara's artwork, ...
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Plastic, Paper

Large modern contemporary abstract landscape painting in rich browns and blues
By Michele Zuzalek
Located in Washington, DC
Large contemporary modern landscape painting in rich browns and blues, Titled 'Journey’s End’ 
This original abstract contemporary landscape painting is based on my nature walks in beautiful Santa Barbara California. The colors are natural blues, browns, and ochres. It is framed in a dark espresso wood floater frame, wired on the back and ready to hang. 
This painting is signed on the front and back and is coated with an archival UV semi-gloss varnish for protection and light luster...
Category

21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media

Materials

Acrylic, Wood, Varnish, Oil Pastel, Archival Ink

'Enter the Wild With Care'
By Michele Zuzalek
Located in Washington, DC
Michele Zuzalek Large modern abstract painting in bold, earth and jewel tones. Titled 'Enter the Wild With Care' Movement is one of the defining characteristics of my work. The init...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Acrylic, Oil Pastel

Ruby Curtain
Located in Washington, DC
Lucious cherry red folds reminiscent of Renaissance drapery -- in fiberglass.
Category

2010s Abstract Washington D.C. - Mixed Media

Materials

Fiberglass

Nude G
Located in Washington, DC
Alex Lord's images are classical studies of the eternal beauty of the female form. The use of fiberglass connects these classical artistic interests to contemporary culture, but it i...
Category

2010s Modern Washington D.C. - Mixed Media

Materials

Fiberglass

Julius Erving, cutouts, maps, sports figure, basketball
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps Title : Julius Erving Size :12x16 Date : 2016 Paris
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Glass, Mixed Media

Nude S
Located in Washington, DC
Alex Lord's images are classical studies of the eternal beauty of the female form. The use of fiberglass connects these classical artistic interests to contemporary culture, but it i...
Category

2010s Abstract Washington D.C. - Mixed Media

Materials

Fiberglass

Untitled
Located in Washington, DC
Lightly etched silver fiberglass unites organic gestures with contemporary medium.
Category

2010s Washington D.C. - Mixed Media

Materials

Fiberglass

Rhinoceros, cutouts, maps, mapart, animal art,
Located in Brooklyn, NY
Rhinoceros image embedded in layered glass. Created with cutouts, maps rhinoceros, cutouts, maps, mapart, animal art, animalcutouts Title : rhinoceros Size :12x16 Price: 2000.00 $ ...
Category

2010s Contemporary Washington D.C. - Mixed Media

Materials

Mixed Media, Glass

Hasebe LP
By KAWS
Located in Washington , DC, DC
This vinyl record was designed by KAWS in 2002, very early into his career for DJ Hasebe. This is a rare Japan only release
Category

21st Century and Contemporary Contemporary Washington D.C. - Mixed Media

Materials

Paper

Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Archival Paper, Graphite, Wax Crayon, Sumi Ink

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Work Well Together
By Mr. Brainwash
Located in Boston, MA
Artist: Brainwash, Mr. Title: Work Well Together Date: 2023 Medium: Silkscreen and Mixed Media on Paper Unframed Dimensions: 20" x 16" Framed Dimensions: 26" x 20" Signature: ...
Category

2010s Street Art Washington D.C. - Mixed Media

Materials

Mixed Media, Screen

Tiphanie
By Francisco Valverde
Located in Boston, MA
Artist: Valverde, Francisco Title: Ikhtiyar Date: 2023 Medium: Pigmented resin on panel Unframed Dimensions: 40" x 60" Signature: Signed Edition: Unique Provenance: DTR Moder...
Category

2010s Abstract Washington D.C. - Mixed Media

Materials

Resin

Silver Lining
Located in Washington, DC
Artist: Derrick Adams Title: Silver Lining Medium: Silkscreen, relief, and collage Year: 2022 Edition: 29/100 Frame Size: 31 1/4" x 24 1/2" Sheet Size: 2...
Category

2010s Washington D.C. - Mixed Media

Materials

Screen

Transmitter
Located in Washington, DC
Exceptional painting by Maryanne Pollock titled "Transmitter". Work is signed and dated 2021 on reverse. Painting measures 48" x 48" and is mixed media on canvas. Artists Robert ...
Category

21st Century and Contemporary Abstract Washington D.C. - Mixed Media

Materials

Mixed Media

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