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Item Ships From: Brazil
Madona
By Alfredo Volpi
Located in São Paulo, SP
This is an original print by the Italo-Brazilian artist Alfredo Volpi, signed and numbered as exemplar 45/200. The work has been framed and has a size of 100 x 67 cm. Alfredo Volpi is considered one of the most important artists of the second generation of modernism in Brazil, known for his works featuring little flags and houses. He started painting in 1911, executing decorative murals and then working with oil on wood, being recognized as a master in using the tempera technique on canvas. In addition to being a great colorist, Volpi also explored magnificent forms and compositions, creating works of great visual impact. He was part of a group of excellent colorists, along with Arcangelo Ianelli and Aldir Mendes de Souza, known as "The 3 Colorists". They were featured in a book written by Alberto Beuttenmüller in July 1989. Volpi also worked as a decorative painter in the homes of São Paulo society, carrying out artistic decoration work on walls and murals. He collaborated with Antonio Ponce Paz, a Spanish painter and sculptor who soon became a great friend of Volpi. The artist held his first solo exhibition at the age of 47, exhibiting at the Salão de Maio and the 1st Exposição da Família Artística Paulista, in 1938, in the city of São Paulo. In the 1950s, Volpi evolved into geometric abstractionism, producing the famous series of flags and festival poles. He received the prize for best national painter at the second São Paulo Biennial in 1953. Volpi participated in the first Concrete Art Exhibition as a member of the Santa Helena Group, although he did not officially participate in the group. He always visited his friends who were part of the group, such as Mario Zanini and Francisco Rebolo. The Santa Helena Group was composed of Aldo Bonadei, Clóvis Graciano, Fúlvio Penacchi, and Ernesto de Fiori...
Category

1980s Post-Modern Brazil - Prints and Multiples

Materials

Engraving, Screen

Facade
By Alfredo Volpi
Located in São Paulo, SP
This is an original print by the Italo-Brazilian artist Alfredo Volpi, signed and numbered as copy 45/200. The work has been framed and has a size of 97 x 67 cm. Alfredo Volpi is considered one of the most important artists of the second generation of modernism in Brazil, known for his works featuring flags and houses. He began painting in 1911, executing decorative murals and then working with oil on wood, being recognized as a master in using the tempera technique on canvas. In addition to being a great colorist, Volpi also explored magnificent forms and compositions, creating works of great visual impact. He was part of a group of skilled colorists, along with Arcangelo Ianelli and Aldir Mendes de Souza, known as "The 3 Colorists." They were featured in a book written by Alberto Beuttenmüller in July 1989. Volpi also worked as a decorator painter in the homes of the São Paulo society, creating artistic decoration works on walls and murals. He collaborated with Antonio Ponce Paz, a Spanish painter and sculptor who soon became a great friend of Volpi. The artist held his first solo exhibition at the age of 47, exhibiting at the May Salon and the 1st Exhibition of the Paulista Artistic Family in 1938, in the city of São Paulo. In the 1950s, Volpi evolved to geometric abstractionism, producing the famous series of flags and festival poles. He received the award for best national painter at the second São Paulo Biennial in 1953. Volpi participated in the first Concrete Art Exhibition as a member of the Santa Helena Group, although he did not officially participate in the group. He always visited his friends who were part of the group, such as Mario Zanini and Francisco Rebolo. The Santa Helena Group was composed of Aldo Bonadei, Clóvis Graciano, Fúlvio Penacchi, and Ernesto de Fiori...
Category

1980s Post-Modern Brazil - Prints and Multiples

Materials

Engraving, Screen

unnamed
Located in São Paulo, SP
The engraving made by the artist Abraham Palatnik is a signed example of a proof edition (P.A.), being the first of four copies. The work has dimensions of 48 x 48 cm and presents characteristics of the pioneering style in kinetic art in Brazil, for which the artist is known. Abraham Palatnik was born in Natal, on February 19, 1928, the son of Russian Jewish immigrants. At the age of four, he moved with his family to the region that is now Israel, where he studied physics and mechanics at a technical school and began taking classes in painting, drawing, and aesthetics at the Municipal Institute of Art in Tel Aviv. At the age of 20, Palatnik returned to Brazil and settled in Rio de Janeiro, where he joined the Grupo Frente, alongside other artists such as Ivan Serpa...
Category

1990s Post-Modern Brazil - Prints and Multiples

Materials

Giclée

Facade
By Alfredo Volpi
Located in São Paulo, SP
Engraving made by artist Alfredo Volpi, signed, P.A. exemplar. Size: 48 x 66 cm. About the artist: Alfredo Volpi (Lucca, April 14, 1896 - São Paulo, May 28, 1988) was an Italian-Brazilian painter considered by critics to be one of the most important artists of the second generation of modernism. One of the characteristics of his works are the small flags and the houses. He began painting in 1911, executing decorative murals. Later, he worked with oil on wood, becoming a master user of tempera on canvas. A great colorist, he explored magnificent compositions of great visual impact through shapes. Together with Arcangelo Ianelli and Aldir Mendes de Souza, he formed a triad of excellent colorists, the focus of a book called 3 Colorists, written by Alberto Beuttenmüller (Ed. IOB, July 1989). He also worked as a decorator painter in the residences of São Paulo's society of the time, executing artistic decoration work on walls and murals with Antonio Ponce Paz, a Spanish painter and sculptor who soon became a close friend of Volpi. He held his first solo exhibition at the age of 47, exhibiting at the Salão de Maio and at the 1st Exhibition of the Paulista Artistic Family in 1938 in São Paulo. In the 1950s, he evolved towards geometric abstractionism, of which the series of small flags and festival masts is an example. He received the award for best national painter at the Second São Paulo Biennial in 1953. He participated in the first Concrete Art Exhibition, as part of the Santa Helena Group, but he always visited his friends who officially participated, such as Mario Zanini and Francisco Rebolo, located in Praça da Sé, in São Paulo. The Santa Helena Group included the following painters: Aldo Bonadei, Clóvis Graciano, Fúlvio Penacchi, and Ernesto de Fiori...
Category

1890s Post-Modern Brazil - Prints and Multiples

Materials

Engraving, Screen

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