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Philippe Ferrandis Vintage Poured Glass Foliage Dangling Earrings

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    By Chanel
    Located in Nice, FR
    CHANEL vintage faux pearl dangling earrings (clip-on) featuring a gold toned CC logo and a Baroque irregular-shaped glass faux pearl drop. Embossed CHANEL. Indicative measurements ...
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    20th Century French Clip-on Earrings

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  • YVES SAINT LAURENT YSL Vintage Silver Tone AMOUR Dangling Earrings
    By Yves Saint Laurent
    Located in Nice, FR
    YVES SAINT LAURENT vintage silver tone AMOUR dangling earrings (clip-on). Embossed YSL Made in France. Indicative measurements : height approx. 13.5 cm (5.31 inches) / max. width a...
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    20th Century French Dangle Earrings

  • YVES SAINT LAURENT YSL Vintage Double Heart Dangling Earrings
    By Yves Saint Laurent
    Located in Nice, FR
    YVES SAINT LAURENT vintage dangling earrings (clip-on) featuring two orange resin cabochon hearts in a gold toned setting. Embossed YSL Made in France. Indicative measurements : he...
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    20th Century French Dangle Earrings

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    Gilt Metal

  • JEAN PAUL GAULTIER Vintage Jewelled Star and Crescent Moon Dangling Earrings
    By Jean Paul Gaultier
    Located in Nice, FR
    JEAN PAUL GAULTIER vintage gun tone dangling earrings (clip-on) featuring a star top and a crescent moon embellished with amethyst color crystals. Marked GAULTIER. Indicative measu...
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    20th Century French Dangle Earrings

  • EDOUARD RAMBAUD Vintage Massive Jewelled Dangling Earrings
    By Edouard Rambaud
    Located in Nice, FR
    EDOUARD RAMBAUD vintage massive textured gold tone dangling earrings (clip-on) embellished with multicolor crystals and glass cabochons. Embossed EDOUARD RAMBAUD Paris. Indicative ...
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    20th Century French Clip-on Earrings

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  • Yves Saint Laurent YSL Vintage Bejeweled Shoulder Duster Dangling Earrings
    By Yves Saint Laurent
    Located in Nice, FR
    YVES SAINT LAURENT RIVE GAUCHE vintage gorgeous and rare shoulder duster dangling earrings (clip-on) featuring multicolored crystals and glass cabochon in a copper patina setting. M...
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  • Vintage D'Orlan Gold Tone Byzantine Dangling Earrings Circa 2000s
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    Vintage D'Orlan Gold Tone Byzantine Dangling Earrings. Large oval highly detailed dangling pieces hang down from a rope like top piece. Clip on. You can wear...
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  • Vintage St John Gold Dangling Heart Hoop Earrings Circa 1980s
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    Vintage St John Gold dangling Heart Hoop Earrings Circa 1980s. St John made some great jewelry in the 1980s. These dangling gold hearts look so chic a...
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  • David Webb Platinum Carved Emerald and Diamond Dangle Drop Earrings
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    Indulge in the luxurious allure of the David Webb Platinum Carved Green Emerald and Diamond Drop Earrings, where the rich green hues of emeralds meet the brilliance of diamonds in an...
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  • Cabochon Blue Sapphire, Cabochon Ruby, Cabochon Emerald Earrings Set in 18 Karat
    Located in Bangkok, TH
    Cabochon Blue Sapphire 4.70 carats, Cabochon Ruby 2.11 carats and Cabochon Emerald 0.72 carat Earrings set in 18 Karat Gold Settings Width: 2.3 cm Length: 4.4 cm Total Weight: 26....
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  • Vintage Gilt knotted French Statement Earrings
    By Claire Deve
    Located in Palm Springs, CA
    Sensational vintage gilt knotted French statement clip-on earrings circa 1980 - comprised of gilt metal segments encrusted with faux diamante stones mixed with mand manipulated tempe...
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  • Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Circa 1980s
    By Maison Gripoix
    Located in New York, NY
    Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The price is different as they were purchased in different exchange rates. These are really stunning. Will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...
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