Wall-Sized Contemporary Work by Günther Förg

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

A large fine pastel drawing of an abstract figure from the Cordier and Ekstrom Gallery, Madison Avenue, New York by Gillian Bradshaw-Smith.

A work of art made by collage of hand-painted vellum applied in a collage format with original Sonnabend Gallery label to the reverse.

A print signed Squeri, numbered 1/20, and titled Kyoto, reminiscent of the work of Verner Panton.

"Photograph of a Grecian bust" is a cyanotype print by John Dugdale, edition 2/6. The print is 16" x 20" matted and framed to 24" x 27.5".

Günther Förg. Painting. Watercolor on paper. Sheet size: 32 x 40 cm. Wood frame with passepartout. Frame size: 53 x 63 cm. Signed Förg, 2000 Günther Förg (1952 - 2013) was a promi...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Colorful Contemporary Modern decorative wall Art print framed American beach NC . As part North Carolina Fisherman Waiting for the Shrimp Boat . serigraph printed in beautiful colors. Matted and a simple gold color frame. Claude Howell...

"Ugly" by Dike Blair Contemporary mixed-media Artwork 1987 Ugly by Dike Blair, b.1952 USA. Made in 1987, Resin over digital print, glass, painted wood and fake foliage Signed, ti...