Antique French Impressionist Prints by Edna Gass a Pair

Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 

French impressionist style painting. Oil on canvas. Signed illegibly. In the original frame.  

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

Nude bathers, fine early 20th century impressionist painting by David Humphrey (American 1872-1950.) Pastel on paper. Humphre...

"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

Antique print titled 'Eine Bauernhochzeit - A Peasant's Wedding'. Original steel engraving of a peasant wedding. Engraved by W. French after a painting by D. Teniers. Published circa...

Antique print titled 'Die Spitzenklöpplerin - The Lacemaker'. Original antique print of a lace maker. Engraved by W. French after a painting by Singelandt, published circa 1850.

Antique print titled 'Dames Francaises (..)'. Original hand colored print of French ladies. This print originates from 'Iconographie générale et Méthodique du Costume du IVe au XIXe ...

Antique print titled ‘Noble Francaise , XVe Siecle.’ Original antique print of French Noblewomen, 15th century. This print originates from 'Costumes historiques de femmes du XIII, XI...

Pair of vintage French prints by Charles Cobelle. Circa 1950's matted and framed. Charles Cobelle, born Carl Edelman (1902–1994) was a modern French master of painting, lithography and a fine muralist, who was born in Alsace-Lorraine, France. He is considered the last link to the great tradition of the Open Line School of Paris. Cobelle received his Bachelor's and Master's Degrees from the University of Munich and continued his studies at the École des Beaux-Arts in Paris.[1] Much more influential in his development, however, were his private studies with Marc Chagall and his apprenticeship in the studio of Raoul Dufy in Menton on the Riviera. Cobelle lived and painted in Paris until the late 1920s and established himself within the great tradition of the School of Paris.[2] In the late 1920s, Cobelle moved to the United States, where his paintings were immediately sought after by galleries and private collectors alike.[1] Cobelle became a U.S. citizen before the outbreak of World War II.[1] In the late 1940s to 1950s, Cobelle lived in Westport, Connecticut.Charles Cobelle lived in Ridgefield CT in a private lake community called Twixt Hills until his death. [3] By the 1950s, spurred by the commercial success of his mentor, Dufy, Cobelle had achieved phenomenal success commercially with his Parisian-influenced style.[4] Much like contemporary artists and designers at the time, his designs graced a number of pottery patterns for various pottery companies, including Midwinter Stylecraft...

Antique print titled 'Habit of a Lady of Quality of France'. Original antique print of a lady in France. This print originates from 'A Collection of the Dresses of Different Nations ...