Vintage 1920s W.H.S. Basketball Team Photograph

Presented is an autographed collage celebrating the women golfers of the 2009 Solheim Cup U.S. and European teams. The 11th Solheim Cup Matches were held Au...

Presented is an Apollo 16 mission photograph, signed and inscribed by Apollo 16 moonwalker Charlie Duke. The photograph shows Duke collecting lunar samples n...

Presented is a photograph of the Phoenix Lander on Mars, signed and inscribed by Apollo 16 moonwalker Charlie Duke. In the inscription, Duke shares his thoug...

Presented is an antique photographic postcard of Seven Falls, Colorado, from 1880. Postcard production blossomed in the late 1800s and early 1900s, as railroads opened up much of the Western frontier to new and exciting travel opportunities. Seven Falls is one of Colorado’s most captivating natural wonders. Located at the base of the Front Range, this magnificent series of waterfalls is situated in a 1,250-foot-wall box canyon between the towering Pillars of Hercules and boasts a 181-foot drop of falling water. Seven Falls was originally part of land given to Nathan Colby in 1872 as part of the Homestead Act of 1862. The Homestead Act granted 160 acres of surveyed land to pioneers in the west, with claimants required to “improve” the plot by building a dwelling and cultivating the land. Mr. Colby promptly sold the track of land to James Hull...

This collage includes a limited edition photograph by Margaret Bourke-White originally taken in 1952, numbered 4/50+10 and blindstamped in the lower right margin with the artist’s si...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

From a photography collection are two items included in this listing, for the collector of photographic memorabelia. In it's original tapered brown leather carry case is a miniature ...

Vintage circa 1920's sepia toned portrait photograph of woman. Signed Moffett lower right margin. Unframed, small corner creases.

A unique photograph album in original grey card wrappers with the Ruhlmann name embossed on the front and the name of the client Monsieur Molinie also...

Vintage Ski Photography, antique Alpine Ski Photograph. 'MATTERHORN', a new mounted black and white photographic image after an original 1930's skiing photograph. Black & white alpi...

Colonial Tent Pegging Photograph, Poona 1903. Rare sepia toned late Victorian Colonial photograph showing a group of horsemen 'Tent Pegging' with the caption 'Poona 1903'. The photo has been embossed...

Late Victorian golf photograph. A sepia toned late Victorian Colonial golf photograph of a group of male golfers, the group containing a few children. The gentlemen are wearing an assortment of clothing, some in caps, some in bowler hats, a couple with top hats, one gentleman wearing a military uniform with medals. The golf clubs they are holding are early wooden scared head long nose hickory clubs, the sort made by the great Scottish clubmakers like Tom Morris, Willie Park, Alex Patrick, Charlie...