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Wesley A Lea Oil Painting Signed Title Dated 1957 'Rock & Fungi' American

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  • Wesley Lea Oil Painting in Gilt Frame Titled Four Pensive Woman Deep Dreams
    By Wesley A. Lea
    Located in Stamford, CT
    A Wesley Lea oil on canvas painting, Dated 1957, this vibrant painting has many colors, blended in among abstract lines. This piece would look great in any ro...
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  • Hugues Claude Pissarro Oil on Canvas Painting Le Bouquet Au Vase Bleu
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  • Abstract Oil on Canvas Painting by Colow B. Dated 1984
    Located in Stamford, CT
    Abstract oil on canvas painting by Colow B. dated 1984. A nice decorative wall art in a silver leaf frame.
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    Late 20th Century Arts and Crafts Contemporary Art

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  • Reynolds Beal Impressionist Oil on Canvas USS Utah Rockport Mass
    By Reynolds Beal
    Located in Stamford, CT
    A fine impressionist oil on canvas by the well celebrated Reynolds Beal. Dated 1928 on verso and signed. The reverse bearing the Estate Stamp and Catalog page information. The USS Utah at Rockport Mass...
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    Early 20th Century American American Classical Paintings

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  • Lynn Basa Encaustic Black and White Stripe Panel "Not So Simple", 2012
    Located in Stamford, CT
    Lynn Basa Encaustic black and white stripe panel "Not So Simple" (signed and dated) 2012, Oil on beeswax on board. This is part of our extensive collectio...
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    21st Century and Contemporary Modern Paintings

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  • Gulbrandt Sether Signed Norwegian American Oil on Canvas of a Venice Canal
    Located in Stamford, CT
    A Gulbrandt Sether Norwegian American oil on canvas of a Venice canal. Canal De lovo -Venice in a fine and highly detained gilt frame. (Paperwork on reverse). Gulbrand Sether...
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    By Fred Hocks
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    Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...
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  • Abstract Oil Painting Illegibly Signed, 1961
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