Spanish 16th Century Fresco Fragment

A wonderful 16th century fresco of a very young Saint John the Baptist retrieved then transferred to canvas. Stunning wear and patina, very soft...

An intriguing Italian 17th century oil on canvas painting. A skeleton with a cornucopia of gold pieces. Divittarum Jactantia Quid - "What is the boasting of the rich?".

A very beautiful early 17th century oil on board painting of Saint Eugene - The Archbishop Of Toledo, Spain. Wonderful brushwork and intricate detail....

A very beautiful early 20th century landscape oil on board painting of the countryside in South West France. Expertly executed by Ernest Azema with bold brushwork and wonderful color...

A very beautiful late 19th-early 20th century oil painting housed in its period Restoration giltwood frame. A lovely subject matter depicting the Pines of Les Landes, in the French Basque...

A monumental 18th century Oil On Canvas Painting from Lucca, Italy. Delightful soft color and hues with handsome cracquelure. The painting will be the statement of its surrounding.

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

Pierre de Cortonne (in Italian: Pietro da Cortona, whose real name is Pietro Berrettini) (Cortona, November 1, 1596 - Rome, May 16, 1669) is a painter and Italian architect of Bar...

Frank Forty (1902-1996) Irish Watercolour painting: Inscribed verso, Vigo Size 11 x 15 inches Superb original watercolour painting by the well listed and popular Irish paint...

This is a very good Spanish Colonial, Cuzco School (Cuzqueno) painting of the Archangel Michael. The painting appears to have little or no restorations and, as such, is in remarkable condition. We have chosen to leave that painting as found as the patina highlights the depth and character of the painting. We have listed separately two complementary larger paintings of the Virgin Mary and the Archangel Michael acquired from the same estate. The Cuzco school is a Peruvian Spanish Colonial religious artistic tradition in which Incan spirituality was incorporated into Catholic iconography. These Peruvian paintings incorporate artistic forms that distinguish Cuzqueno paintings from other Spanish Colonial artistic traditions. The Jesuit order, arriving in the mid-16th century, was the principal Catholic order whose mission it was to convert the Inca to Christianity and introduce Christian iconography and European type painting techniques to the Inca capital of Cuzco. Cuzco School paintings...

American 19th century still life painting of a compote of fruit on a table arranged with more fruit in a custom 20th century painted frame.