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Paul Jenkins "Phenomena Bordering Orion" Watercolor on Paper, 1981



Paul Jenkins watercolor titled "Phenomena Bordering Orion" from 1981. Signed Paul Jenkins on the lower right corner with a gallery label on the reverse with the title date and dimensions. Orion as a celestial phenomena plays a significant role in the belief structure of Mayan and Aztec society along with societies such as the Chicoans and others within the Anasazi Southwest. Perhaps this painting's strong coloration and ephemeral structures call upon those associations. The artwork measures 43 x 31" and is archivally mounted in a 49 x 37" frame.


  • Creator
    Paul Jenkins (Artist)
  • Dimensions
    Height: 49 in. (124.46 cm)Width: 37 in. (93.98 cm)Depth: 1.5 in. (3.81 cm)
  • Style
    Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Condition
    Wear consistent with age and use.
  • Seller Location
    Camden, ME
  • Reference Number
    Seller: App 6441stDibs: LU898411299653

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  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Laguna Beach, CA
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About the Artist

Paul Jenkins

Born in Kansas City, the multimedia artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese-American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past 30 years, numerous retrospectives have been curated across the globe and Jenkins’s work can be found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of Jenkins’s work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes” influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, while trips to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful responses to a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching, described by him as "masterpieces in simplicity.” Jenkins’s discovery of psychoanalyst Carl Jung’s book Psychology and Alchemy was as illuminating for his practice as were formative meetings with dancer Martha Graham, architect Frank Lloyd Wright and Abstract Expressionist painters Mark Rothko, Jackson Pollock and Barnett Newman. Concerned with colour and texture, nearness and distance as well as reality and mysticism, Jenkins’s work — considered to be part of the second wave of Abstract Expressionism — is a spiritual meditation on the nature of chance, balance, synchronicity, change and transformation. His ejection from an early art class in Kansas City for eating the still life appears instructive: "For me the pear is to be eaten and experienced, not painted.” Jenkins sought to reject the traditional Neo-Platonic approach to art as well as life in favour of a Taoist concern for the “present moment.” In this sense his paintings become spiritual reflections on the transitory present, life merely a rippled dance upon the water’s surface. Jenkins’s death in 2012 and the subsequent release of important works onto the market by his estate increased global interest in his work and they have grown in value and popularity. Jenkins’s works can be found in public and private collections worldwide. (Biography provided by Stern Pissarro Gallery)
About the Seller
5 / 5
Located in Camden, ME
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