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Maurice Blieck 'Belgium, 1876-1922' Ladies on a Beech Oil Painting

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  • Anthony Thieme Windmill Landscape Oil Painting
    By Anthony Thieme 1
    Located in Dallas, TX
    Anthony Thieme (Am. 1888–1954) Dutch landscape with Windmill. Oil on canvas Signed (A. Thieme) L/L, A very large and formidable oils painting on canvas by Anthony Thieme. The landscape depicting the Netherlands hills covered in Windmills and farm houses in front of a lake or river. The palette of bold and think colors of greens, browns, blues and magentas form an impressionistic masterpiece. Dimensions: 30" x 36", framed 38" x 45". Condition: Good. Relined with new stretcher (original nails fastening canvas. Thick paint with some craqueleur throughout. View photos. Very stable and presents beautifully. Exhibited at the Rockport Art Association, 10/2/1999 - 11/14/1999, lender Robert Slack. Provenance: The Waldingfield collection of Arthur Finkelstein and Don Curiale, Ipswich, Massachusetts. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back returns if the items are not as described. Anthony Thieme (20 February 1888 – 6 December 1954) was a landscape and marine painter and a major figure of the Rockport (MA) School of American regional art...
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  • Eugene Galien Laloue Large Landscape Oil painting
    By Eugene Galien-Laloue
    Located in Dallas, TX
    Eugene Galien Laloue (French, 1854-1941) Large oils on canvas landscape painting of the outskirts of Paris on the Seine River with figures and bui...
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  • Daniel Kendrick Oil Painting “The Great Divide”
    By Daniel Kendrick
    Located in Dallas, TX
    Daniel Kendrick (Texas; 1948) oil on canvas painting of the Great Divide canyon with the sunrise morning ray reaching over the plateau to saturate the dessert foliage dew. Executed 2011. Canvas: 16 x 20 inches Framed: 21 x 25 inches. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. Studied with: Leona Lettie McGill, Ray Froman, Reveau Mott Bassett, Olin Herman Travis, Bud Biggs, Jerry Bywaters...
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  • William Merritt Chase “Port Of Antwerp” Oil Painting
    By William Merritt Chase
    Located in Dallas, TX
    William Merritt Chase (American, 1849-1916) Port of Antwerp ca. 1883-4, oil on canvas signed Wm. M. Chase lower left Canvas: 15 X 21 Inches. Museum Framed Dimensions: 22 X 28 Inches Provenance: The Estate of a Manchester-by-the-Sea, Massachusetts Lady. Literature: Pisano, Ronald G., completed by Carolyn K. Lane and D. Frederick Baker. William Merritt Chase: Landscapes in Oil (Vol. 3). New Haven and London: 2009, cat. no. L.41, pp. 25-26. A letter from Dr. Frederick Baker confirming that this work is entry L.41 in the William Merritt Chase catalogue raisonné will accompany this painting. Exhibitions: Essex County Art Association Exhibition, Newark, New Jersey, Spring 1884, no. 76 (as Antwerp) American Art Association Inaugural Exhibition, New York, Nov-Dec. 1884, no. 198 (as Port of Antwerp); Carnegie Institute, Pittsburgh, 1902, lent by Mr. John Caldwell, a trustee of the Institute. Other Notes: Bears Milch Galleries (New York, New York) label; bears Carnegie Institute (Pittsburgh, Pennsylvania) label verso [both as In the Harbor]. This newly rediscovered William Merritt Chase painting Port of Antwerp showcases both the artist’s signature technique and palette. The harbor scene, depicted with unfettered brushwork and subtle inflections of blue and grey tones, also speaks to the artist’s ongoing experimentation with plein-air painting throughout his career. Condition: Lined; with fine stable craquelure. Cleaned and professionally varnished with Dammar. Edited. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back returns if the items are not as described. Painter and teacher. Chase’s early paintings, executed in dark tonalities, reflected his training in Munich; his later paintings, most notably scenes of Shinnecock, Long Island, were painted with a lightened palette, reflecting the influence of French Impressionism. He had a lengthy teaching career at the Art Students League, the New York School of Art, the Pennsylvania Academy of the Fine Arts, and the summer school he founded on Long Island. Joan Stahl American Artists in Photographic Portraits from the Peter A. Juley & Son Collection (Washington, D.C. and Mineola, New York: National Museum of American Art and Dover Publications, Inc., 1995) William Merritt Chase, son of a shopkeeper, left Indiana at the age of twenty to study at the National Academy of Design in New York. Domestic financial reverses interrupted his studies as his family resettled in St. Louis. Young William’s talent so impressed several businessmen in that city that they proposed to underwrite his further study abroad. In 1872, Chase began attendance at the Royal Academy in Munich, where he remained six years and acquired the flashy old-master style with dark palette and virtuoso brushwork, which characterized that popular academy. A sojourn in Venice with fellow students Frank Duveneck and John Twachtman rounded out his European training. He returned to New York in 1898 to assume a teaching post at the Art Students League, beginning an enormously successful thirty-eight-year career that would include such students as Edward Hopper, Georgia O’Keeffe, Rockwell Kent, and Charles Sheeler. Once settled into Manhattan, Chase rented studio space in the old Tenth Street Studios, previously occupied by painters of the Hudson River school. Brimming with self-confidence and resolved not to be outshone in his accommodations, Chase acquired the vast salon space in which Albert Bierstadt had executed his monumental western landscapes. At great expense, Chase converted the studio into an exotic showplace, which became a social center for the local artistic fraternity; the gesture enhanced his reputation as a genteel Bohemian and also attracted numerous prestigious and remunerative portrait commissions. In 1881 the Belgian painter Alfred Stevens encouraged Chase to abandon the bravura old-master technique he had acquired in Munich and to experiment with a modified impressionist style by lightening his palette and enlivening his picture surface with looser, more painterly brushwork. Chase explored this new direction further by experimenting with pastel and plein air painting. In 1886 he married Alice Gerson, a family friend who had modeled for him, and they produced a large family whose members became favored subjects for his brush. In 1892 he built a summer home at Shinnecock on the south branch of Long Island. There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work. Shinnecock also became one of his most successful and popular teaching venues, and he was encouraged to initiate the Chase School in Manhattan, which was modeled on the Académie Julian in Paris. But Chase lacked the business acumen to make it succeed, and under other management it became the New York School of Art. During these years Chase had developed and continued to employ two different styles of painting: the impressionistic plein air landscapes and genre scenes, and the somber realism of his portraits and still-life works. In his later years his still-life oeuvre was enhanced by an extraordinary series of fish studies...
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  • Leo B Blake New England Winter Stream Oil Painting
    By Leo Blake
    Located in Dallas, TX
    Winter Stream, New England, Impressionist Leo B. Blake. This winter snow river and birch tree landscape scene is reminiscent of Gruppe’s Vermont or New Hamp...
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  • Emile Albert Gruppe “Nymphs” Oil Painting Nudes by a River
    By Emile Albert Gruppe
    Located in Dallas, TX
    An absolutely amazing post Impressionist painting with a cascade of bright colors showing nudes by a riverside with birch trees in the foreground and mountains in the background. Emi...
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