Tin Paintings

Antique retablo showing Saint Joseph with a child Jesus. Vibrantly painted in rich turquoise and burnt orange colors. Matted in cream and velvet in a v...

Early oil on tin panel painting of a woman dressed in a royal blue coat with ermine trim by artist Ira Yeager (American 1938-2022). The painting is set in a distressed gilt wood fram...

The Crucifixion, oil on tin Spanish Colonial retablo, including Mary and Saint John, in a carved wooden frame, The Crucifixion is a central p...

A masterful painting on tin in possibly original gilded frame, by an unknown artist. We unfortunately have no provenance or further information. Unrestored with soiling and mostly t...

Beautiful depiction of N.S. Refugio de Pecadores, patron saint of Zacatecas. She appears crowned and holds the crowned Child. She wears a scarf across her right shoulder and her bl...

one of the most desirable of all of the retablos from this fascinating religious art form, this subject of this piece is called La Preciosa Sangre de Cristo, or Eucharistic Man of So...

Madonna and Child, oil on tin, 19th C, likely Mexican or Latin American and depicting the Virgin crowned and holding the Christ Child (with holes from pre...

Original acrylic portrait painting on recovered antique ceiling tin by European artist Mladen Novak. Tin panel may have a few chips in the paint h...

A beautifully weathered antique Burmese temple painting on tin, simply framed in green painted wood with graceful Burmese characters on the top and bottom of the frame. A truly spiritual piece, portraying a robed Buddha floating above a group of praying monks...

18th century Spanish Colonial School, Cuzco: Angel, oil on tin. Framed, in good condition. Rich colors of red, blue and white. Inscribed in upp...

A large, beautiful and very unusual antique Burmese temple painting on tin. This Buddhist painting displays seven figures against a stunning backgrou...

ABOUT An original 19th century Mexican folk retablo. Oil paint on tin. Subject unknown. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

About An original 19th century Mexican folk retablo of Saint Francis. Oil paint on tin. St. Francis of Assisi, Italian San Francesco d’Assisi was born 1181-1182 in Assisi, duchy of Spoleto, Italy and died October 3, 1226. He was canonized July 16, 1228. He founded the Franciscan orders of the Friars Minor and the lay Third Order. He was also a leader of the movement of evangelical poverty in the early 13th century. His evangelical zeal, consecration to poverty, charity, and personal charisma drew thousands of followers. Francis’s devotion to the human Jesus and his desire to follow Jesus’ example reflected and reinforced important developments in medieval spirituality. Cretor Unknown. Date of manufacture c.1880. Materials and techniques Oil Paint on Tin. Condition Good. Wear consistent with age and use. Dimensions H 14 in. W 10 in. History Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

This is an amazing and important collection of 8 plaques (7 tin metal and one in wood) that have been hand painted by Catholic religious devotees in gratitude to either Christ, Virgi...

Fine antique oil painting on tin. A portrait painting of an elderly woman in black with a lace fichu bonnet seated at a table with her hand...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

Vintage (20th Century) unframed tole painting depicting a lone jockey, his horse, and a background with a red barn and golden fields beneath a cloudy sky...

English oil painting on tin depicts a tavern scene with children and dogs.

19th century miniature Swiss oil painting on tin depicting the Legend of William Tell. Showing William Tell on bent knee aiming the crossbow at hi...

2015 acrylic portrait painting on antique tin panel by renowned artist Mladen Novak. The panel is manufactured out of original antique reclaimed tin ...

Well know for his watercolors in Europe, the artist Mladen Novak, painted this original acrylic portrait. The portrait was painted on an antique salvaged tin ceiling panel. The artist is also in the "Who's Who" book of famous modern American painters...