Franz Borghese 'Rome 1941-2005' Oil On Canvas Titled "Conivgi"

Signed lower left. A genre scene along a Venice canal with ladies shopping. They stop at a vegetable stall under a white awning. The proprietor is seated doing needlework with her da...

A sill life of glass vase with pink peonies and green apples in a bowl, all on a table with greenery. Signed lower right. In a fine gilt frame.

Signed lower right and with the title on verso. A winter river landscape with bands of white and blue for the snow and river. Conifer forests are along the river banks. Measures: 1...

Monogrammed JG lower right. A view of an Italian street with shop fronts in the late afternoon with shadows falling across them. Painted in lovely ochers, b...

Signed and dated 58 lower left. A textured oil on canvas illustrating a French street scene with market seller's umbrellas along a park. Shops are along the street with figures. Two ...

An important work by former War correspondent and Realist painter Joseph Hirsch. Signed on the black above the white tablecloth lower right. A Modernist scene with a couple having br...

Raymond J Wendell (American, 1917 - ?) was a prolific artist, adept at portraits, commercial art, surrealism, and figure studies, in oils and watercolors. Wendell served in the U.S. ...

Franz (Bernard) Gailliard (Belgian, 1861-1932) "La Place Sainte Gudule a` Bruxelles Apre`s Le Carnaval" A fine and large oil on canvas depicting a street scene in late 19th century Brussels - La Place Sainte Gudule - after the Carnaval. Unframed. Signed: F. GAILLIARD (l/r), circa 1890. Measures: Canvas height: 95 inches (241.3 cm). Canvas width: 84 1/2 inches (214.6 cm). Franz F.D.A. Gailliard (1861-1932) was a Belgian Neo-Impressionnist and Luminist painter of figures, portraits, landscapes and beach scenes. He was also a reporter, watercolourist and draughtsman for French, English and Belgian lifestyle magazines and newspapers such as the French Le Patriote illustre´, Belgian Le Petit Bleu and English London Illustrated News. He received his artistic education at the Academy of Brussels under the tutorship of Jean Portaels, Joseph Stallaert and Franc¸ois Bossuet. Gailliard also studied at the Brussels Academy of Beaux-Arts and in Paris under the supervision of Jean-Le´on Ge´ro^me (French, 1824–1904) and followed class together with his contemporaries James Ensor, Le´on Fre´de´ric and Fernand Khnopff. He met up with the renowned American painter James Whistler in 1887 and showed him around Brussels. He was the first artist to introduce the "dripping" method in 1891. After having painting in a realist and traditional style, he got influenced by the Impressionist French School, and headed toward a "luministe-divisionniste" technique in his latest period. He exhibited at the Brussels Salon, and at the Salon des Artistes Franc¸ais in Paris from 1882 to 1891, as well as in Venice and Du¨sseldorf. Gailliard exhibited his oeuvre at the "Cercle Artistique et Litte´raire" in Brussels in 1910 and 1913. He became eventually director at the Academy of Sint-Gillis where his son Jean-Jacques Gailliard took class in order to also become painter. A retrospective was held in is honour is 1957 in Sint-Gillis. Even though he was influenced by the Art Deco aesthetics after the First War, he never stopped studying and experimenting with light. Gailliard exhibied at The Esposizione Internazionale d'Arte della Citta` di Venezia (Venice) in 1909 and at La Biennale di Venezia, (Venice) in 1907. He also exhibited at Le Muse´e d'Ixelles, Brussels. Gailliard died in Brussels on February 16, 1932. Museums: Muse´e d'Ixelles, Brussels Acknowledgments: Biography information of Gailliard was obtained from Galerie Ary Jan in Paris. This painting was previously offered at Bonhams New York on May 06, 2009, Sale Number 17454, "The Severin Wunderman Collection", Lot 4247W. The current auction...

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian: عاشورا‎ - Turkish: Aşure Günü). Signed and inscribed: 'Gordon Coutts/TANGIER' (lower right), circa 1920. Provenance: The Fisher Art Museum, University of Southern California. Gordon Coutts led a peripatetic career, born in Aberdeen, Scotland, he then studied and travelled to Glasgow, London, Paris and Rome before settling in Melbourne, Australia in 1891. In 1896 he moved to Sydney, where he taught at the Art Society of New South Wales, before returning back to Europe in 1899. With the climate of northern Europe detrimental to Coutts' poor health, he moved with his wife, Alice Grey, to the United States where he became a frequent exhibitor at the Bohemian Club in San Francisco. In 1920 he travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. The present work depicts the celebration of Ashura. The day of Ashura is commemorated by Shi'ite Muslims; "A day of pain, pilgrimage and pageantry, it is one of the holiest in their religion. The word Ashura means 10, and refers to the tenth day of Muharram, the first month of the Islamic calendar. This is a period of mourning and cleansing, which marks the martyrdom of Hussein, grandson of the Prophet Muhammad...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...

Mid-century landscape painting by New York artist Richard Clive, entitled "Sunny Sunday". This oil on canvas landscape painting depicts the dappled afternoon light of a forest cleari...

A light-brown, green antique Austrian Baroque oil on canvas painting by Franz Xaver Hornöck in a hand crafted original black, partly gilded wooden frame, in good condition. The vinta...