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19th Century Italian Saint James Martyrdom after Rococo Piazzetta

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  • 19th Century Italian Banquet Genre Painting After il Volterrano
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    An Italian oil on canvas genre painting dating back to mid-19th century, after Volterrano's famous the Prank of Pievano Arlotto, a 17th century famous painting exposed in Palazzo Pit...
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    Allegory of ecstasy with Cupid, an 19th century Italian tempera and watercolor painting, oval composition within a rectangular greenish frame. The painting depicts the dream, the ec...
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    Gold Leaf

  • 19th Century Italian Mountain Landscape with Walking Figures by Silvio Poma
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    A lovely green summer landscape with figures, a late 19th century oil on poplar plywood panel painting depicting depicting a green Italian Alps mountain scenery in Summer. An animat...
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  • 19th Century Italian Pair of Cherub Paintings on Wood Baroque Syle Framed
    Located in Milan, IT
    19th century pair of Putti oil paintings on wood, set of two walnut panels depicting woodland landscapes with cherubs playing of Italian origin. Thi...
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  • Madonna and Child with St. Joseph Holy Family Italian School 19th Century
    Located in Milan, IT
    Madonna and Child with St. Joseph oil painting on canvas from the early 19th century depicting the Virgin in an interior by the side of a green curtain intent on taking textiles from...
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  • 19th Century Head of St. Peter Painting Oil on Canvas by Follower of Piazzetta
    By Giovanni Battista Piazzetta
    Located in Milan, IT
    Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...
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  • 19th Century Rococo Style Painting Oil on Canvas
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  • "The Gallant Pastor" after François Boucher, 19th century
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