17th Century Still Life Oil on Canvas Black Lacquered Frame

Late 17th-early 18th century Italian oval lacquered frames flower still life, set of two paintings. Lacquered wooden Coeval frames. Oil on canvas...

17th century Italian lacquered big cabinet four doors, arranged internally with shelves original lacquer originali hardwares (lockers, hinges and keys) ...

1962 Abstract Italian Painter Giuseppe Martinelli oil on wood and Cardboard Painting , titles " colloquio" ( interview). This abstract painting with brown, red and sand warm colors has been painted in 1962 by Italian Giuseppe Martinelli . Excellent conditions. Size 190x181 cm. The painting features a black metal frame. It shows the signature both on the back and the right bottom side. ******** Giuseppe Martinelli (Viareggio, January 19, 1930 - Milan, July 15, 2016) was an Italian painter.The first solo show was in his hometown in 1953, and in the same year he won the Viareggio Prize. In 1956 he moved to Milan, sharing a studio in via Procaccini with Scapaticci, Ferroni, Banchieri and Luporini ; in 1958 he exhibited at the Pagani gallery in Milan, with a presentation by Mario De Micheli. In 1959 he won the purchase prize at the Golfo della Spezia painting prize with a work that became part of the collection of the Modern and Contemporary Art Center of La Spezia , he was awarded ex aequo (with Nikos...

17th century Italian pine wood big cabinet four doors, arranged internally with shelves, original hardware ( lockers, hinges and keys). Restoration: conservative. Dismountable size: ...

Mid-1800s Fir flap cabinet with movement on the front - Trentino Lacquered in gray shabby effect with four drawers Measures 118 x 56 cm, h 112 cm.

Coat rack from the 1960s, Italy In ebonized black lacquered wood. Carried out conservative restoration and polishing Measurements: 110 cm x 6 cm, height 178 c

Still life oil painting on canvas depicting pumpkins, rabbits and chickens. Tuscany XVII century. The painting needs very small restoration. It has been relined.

A stunning Italian 17th century oil on canvas still life, from Rome. The painting depicts a beautiful fruit bowl and grapes in the foreground and wonderfully executed bouquet of flow...

A wonderful Italian 17th century still life oil on canvas from Rome. The painting depicts a parrot with fruit at his feet standing next to a vase with a stunning array of colorful an...

Area of ??Giovanni Battista Ruoppolo (Naples, 1629 - 1697) Still life with fruit and little bird Measures: Oil on canvas, 62 x 83 cm The still life in question shows juicy citrus fruits, among which we can recognize oranges and cedars, together with red berries scattered on the ground. A cheerful little bird rests on the edge of a terracotta pot in which some pink-mottled carnations grow. The landscape that can be observed all around is veiled by clouds and shaded by shrubs, while in the distance there is a green hill. Dominating the foreground and standing out from the dark background is the fruit which, lush and juicy, stands out in the vivacity of the colors in contrast with the dark background. The full-bodied brushstroke that delineates the wrinkled peel of citrus fruits to restore the realism of the fruit, just as the green leaves of the stems softly folded on themselves are sketched with extreme truthfulness, they ascribe the work to a painter working in the circle of Giovanni Battista Ruoppolo. Ruoppolo is a Neapolitan artist, specialized in the genre of still life, indeed De Dominici himself in his Lives of Neapolitan painters, sculptors and architects recognizes him a primary role in the Neapolitan school of the genre. He studied, together with Giuseppe Recco (1634 -?), In the workshop of Paolo Porpora (1617 - 1673). He painted almost exclusively fruit and flower paintings...

Attr. Jacobus or Iacomo Victors (Amsterdam c. 1640 - 1705) Still life with birds Oil on canvas, 112 x 133 cm The still life examined here is a rare example of the simultaneous presence of live and dead animals in a single composition. On two rocky levels different ornithological species are neatly arranged, reproduced with the utmost fidelity and adherence to life. Mallards, doves, sparrows and a partridge placed on their backs can be recognized. The soft mantles with different chromatic tones, with the characteristic streaks and spots of color, together with the precise investigation of the various ornithological typologies, denote an observation of the real datum typical of the seventeenth-century Flemish tradition. Another mallard, this time alive, seems to have just settled on the rock, as if to observe the rich composition moving its neck. Its characteristic colors, the bright green of the head and the upper part of the neck, the yellow of the beak and the orange of the legs characterize the painting and capture the viewer's attention. The flight of the dove in the foreground is splendid, seen from above, the virtuosic pose and the brightness of its feathers, in an elegant modulation of grays tending to white, denote the stylistic quality of this work. It was probably created by a Flemish artist working in Italy in the second half of the seventeenth century: close analogies can be found with the game of Jacobus Victor...

Carlo Lanfranchi (Mirafiori, 1632 - ivi, 1721), attr. Still life with pumpkin, grapes, peach and fig Measures: Oil on canvas, 54 x 56 cm - with frame 73.5 x 76 cm A plastic lig...