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Jim Dine '1935' "Throat, from Pop Artist's Volume II"



Jim Dine (1935) "Throat, from Pop Artist's Volume II" Gallery Mikro 36 Screen-print in colors, 1965, signed in pencil, numbered 'XXXI' sheet, 30" x 24 in. Framed size: Height 35.875 in. (91.12 cm.), width 30 in. (76.2 cm.)


  • Creator
    Jim Dine (Artist)
  • Dimensions
    Height: 35.88 in. (91.14 cm)Width: 30 in. (76.2 cm)Depth: .5 in. (1.27 cm)
  • Materials and Techniques
  • Period
  • Date of Manufacture
    20th Century
  • Condition
  • Seller Location
    Palm Beach, FL
  • Reference Number
    1stDibs: LU3860122224132

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    US$175 Standard Parcel Shipping
    to anywhere in the world, arrives in 3-5 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: West Palm Beach , FL
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    A return for this item may be initiated within 3 days of delivery.

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About the Artist

Jim Dine

The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art making on their head.Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
About the Seller
5 / 5
Located in Palm Beach, FL
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Established in 1989
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