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Machine Age Art Deco Paul Frankl / Frankl Galleries Signed Skyscraper Tables

US$6,400per set


Machine Age Art Deco Paul Frankl / Frankl Galleries Signed Pair Skyscraper Tables Original Frankl Design, circa 1928. Modernist, Industrial Design Multi-arrangeable book-matched pair of signed Frankl skyscraper tables. Largest version Frankl Skyscraper metal tag on one, circa 1928-1930. Bookcase, console or end table functionality. Excellent condition, likely restored lacquer and silver leaf or the like finish at some point. Adjustable shelves, inside doors and outside. Minor wear to edge of one. An uncommon Original Frankl pre-machine age design. Reduced price.


  • Creator
    Paul Frankl (Designer)
  • Design
  • Dimensions
    Height: 26 in. (66.04 cm)Width: 30 in. (76.2 cm)Depth: 10 in. (25.4 cm)
  • Sold As
    Set of 2
  • Style
    Art Deco (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    circa 1929
  • Condition
    Refinished. Wear consistent with age and use. Minor losses. Versatile pair of book-end matched tables. Multiple configurations possible. Original large-version Skyscraper tag, excellent condition. Some wear to shelf-edges and silver.
  • Seller Location
    Dallas, TX
  • Reference Number
    1stDibs: 1403269452130

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Dallas, TX
  • Return Policy

    This item cannot be returned.

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About the Designer

Paul Frankl

Born in Vienna, Paul Frankl came to the United States in 1914 as part of a wave of Central European design luminaries — among them Kem Weber, Rudolph Schindler, and Richard Neutra — who were drawn by the energy and optimism of the American scene. Prolific and protean, Frankl would go on to design furnishings that are emblematic of nearly every key stylistic chord in American modernism, from the streamlined Art Deco to free-form organic shapes. His “Skyscraper” cabinets, introduced in 1924, are Frankl’s earliest and best-known designs (and the work by which he is most often represented in institutions, such as New York’s Metropolitan Museum of Art). Tall and narrow, the pieces have staggered shelves meant to mimic the setbacks of Manhattan office towers. A later visually expressive line — the “Speed” chairs and sofas, which have a raked profile suggesting motion — links Frankl to Donald Deskey, Raymond Loewy and other creators of “Streamlined Moderne” design. Frankl moved to Los Angeles in 1934 and luxuriated in the climate and lifestyle. His designs became lighter and simpler and found an audience among the Hollywood élite. (Katharine Hepburn, Cary Grant and Fred Astaire were clients.) Fascinated by Asian arts, Frankl produced numerous pieces — tabletops with edges that curve upward; sofas and chairs with rattan frames — inspired by Chinese and Japanese forms and materials. In the 1940s, Frankl became one of the first designers to incorporate free-form, biomorphic shapes in his work, as well as novel upholstery fabrics such as denim and nubby wool. Frankl biographer Christopher Long argues that the designer’s easy, elegant aesthetic had an enormous influence on movie set design. As the furniture below attests, Paul Frankl’s work is ready for its close-up.
About the Seller
4.9 / 5
Located in Dallas, TX
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Established in 2004
1stDibs seller since 2012
250 sales on 1stDibs
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