Mahogany Drum Table by Alphonse Giroux et Cie

This English mahogany console table is a rare period example of the elaborate Chinese Chippendale style. A study in symmetry and balance, this table combines the restrained elegance of the Georgian period with the intricate artistry of the Orientalist aesthetic. Elaborate fretwork on the frieze and pierced supports are beautifully matched by fluted legs. As a whole, it represents a stunning marriage of Chippendale craftsmanship and Eastern design. Small, decorative tables such as this represented the great influence that China had in European decorative and Fine art beginning in the 1600s. Since the Restoration of the monarchy, there had been a growing interest in Chinese-style design forms in England. Called "chinoiserie" in French, this style had become extremely popular by the middle of the 18th century, and designers such as Thomas Chippendale eagerly adopted the elaborate Eastern designs. By the mid-1750s, the Vauxhall Pleasure Gardens were sporting "Chinese Pavilions...

Measuring over 30 feet in length, this tremendous and highly versatile English dining table is the greatest. It has the ability to transform to a multitude of sizes to fit any occasi...

This remarkable and historic parcel-gilt electroplate table hails from renowned British firm Elkington & Co., the distinguished company that i...

This exceptionally rare circular expanding dining table was designed by Robert Jupe and crafted by the English cabinetmakers Johnstone & Jeanes, successors to Johnstone, Jupe & Co. One of only a handful known from the firm, this table illustrates the Victorian era's quest to combine technical innovation with superb and beautiful craftsmanship. Complete with its original leaves, the table’s circular top is formed from eight separate segments. When the top is rotated, an ingenious swivel mechanism causes the sections to diverge, allowing a set of small or large leaves to be inserted for an adjustable increase in size. The design for the table was patented by Robert Jupe in 1835, who had envisioned “an improved expanding table so constructed that the sections composing its surface may be caused to diverge from a common center and that the spaces caused thereby may be filled up by inserting leaves or filling pieces.” The first of these fascinating tables were created between 1835 and 1840 during his partnership with John Johnstone and their firm of Johnstone, Jupe & Co. in London. Jupe left the company in 1840, after which the firm changed its name due to a new partnership and became Johnstone & Jeanes. The firm would eventually achieve international fame for its remarkable designs, exhibiting a "circular table made on the expanding principle" like this one at the Great Exhibition of 1851. Jupe was not alone in his fascination with combining the technical merits of engineering and mechanics with the more artful pursuit of cabinet making. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...

This handsome Regency library desk is crafted of rich mahogany and features the straightforward design prevalent in England during the early 19th ...

Maison Alphonse Giroux Paris French Louis XV style ladies work table sewing vanity stand. Item features shaped glass top, signed "Alph. Gi...

Mahogany dining table with Regency-style reed legs on casters. Handle extends table for extra leaves. Closed: 29.5" H x 45" W x 48" D. Two leaves: 17" W each.

Sonia et Caetera dining table M2 designed by Thomas Dariel Dimensions: Small: Diameter 100 x H 74 cm Medium: Diameter 115 x H 74 cm Large: Diameter 130 x H 74 cm Materials: ...

The Table Wine Table features soft curves and a playful silhouette. Petite yet versatile, it can be used as an entry table, an oversized sofa side table, or a small table for a breakfast nook. Made by the women-owned Muhly studio...

Mahogany dining table with extensions by G Poisson. Located in NY Two leaves of 50 centimetres could be added.

A late 19th century English tilt-top rosewood table with a pedestal base. Measurements: Height 30.5" Diameter 49.5".