Art Deco Table, 1920s

Made of glass, brass. New Cabling. 3x 40W,E27 or E26 socket. With aged patina. Re-polished.  

Nickel-plated 3-flamming Art Deco chandelier. 3 x 40W, E25-E27 bulbs Nickel with minor age patina, polished Rewired US wiring compatible.

Beautiful Art Deco or Rondocubist chandelier. Completely restored: new nickel-plating, new glass The height could be shortened on demand Rewired: 3 x 40W, E25-E27 bulbs US wiring...

- Good original condition with signs of use - Wooden parts are repolished The item is strong and stable - Veneer.

Three-flamming Art Deco chandelier in perfect condition. Original sandblasted glass. Polished, rewired. 3x40W, E25 or E26 or E27 bulbs.

Large Art Nouveau / Art Deco chandelier made in circa 1920s. Restored: cleaned, polished, rewired: two separate circuits 3+3x40W, E12-E14 bulbs US wiring compatible

Art Deco dining table 1920s, Belgium. wood and brass. H. 75, W. 150, d. 95 cm Good, age-related condition. Partly smaller scratches on the plate,...

This Art Deco racetrack table was crafted in the 1920s. It is mahogany and newly refinished, with a rich, warm red-brown tone. The pedestal base culmin...

Imposing oval Art deco table in solid rosewood. The base is shaped and covered in flamed portions in solid rosewood, the oval columns are grooved, where three arms support the top, a...

A French Art Deco light to medium walnut table with decorative skirt top and cut corners held with fluted torpedo legs. The table could used for a smaller dining table. Gaming, or ce...

Art Nouveau table, Poland, 1920s. Very good condition, after professional renovation. Wood: mahogany dimensions: height 79 cm width 125 cm depth 77 cm

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...