Leather Dining Room Sets

Midcentury Living Room Table w/Black Glass Top and six chairs Product details Table Dimensions : 160 w x 80 h x 87 d cm. Chair dimensions: 39 w...

Italian midcentury Giorgetti dining set including dining table and four chairs. The dining table is in black painted wood with walnut top and brass details on the legs. The chairs...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

This incredible exotic wood and leather dining set, which would also make an amazing conference table and chair set, by luxury design su...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

A beautiful dining set containing one extendible dining table and four arm chairs, designed by Niels Otto Møller, manufactured by Møller in Denmark around 1960. The dining table has a round top with a diameter of 110 cm, which can be extended by placing a separate leaf in the middle. That makes the table 160 cm...

Mid-Century Modern folding dining set by Hyllinge Møble, Denmark, 1970s.

Set of eight sculptural dining chairs, designed by Wendell Castle, American, circa 2010s. Signed with Wendell Castle's branded monogram on the leg. Wendell Castle licensed several of his designs for the Wendell Castle Collection...

Mid-Century dining table designed by Finn Juhl for Niels Vodder. Made in Denmark, 1948. The 'Judas' table deserves to be seen as the embodiment of fundamental Mid-Century Danish de...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

Colombostile is one of the most luxurious furniture manufacturers in the world, Michael Jackson's favourite interior designer brand. This selection of absolutely luxurious Colombostile furniture...

Table + 6 chairs, France, circa 1890. Very good condition. Wood: oak dimensions table: height 78 cm, length 153 cm, depth 113 cm chairs height 108 cm height seat 45 cm...

Fully restored outdoor or patio dining set consisting of four marvelous steam bent arm or club chairs with new vintage stock Sunbrella upholstery, foam a...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

This brass and chrome set is the 1970s personified. A square piece of glass covers a chrome and brass base with four tan leather topped stainless steel round stools.

Bauhaus tubular-steel conference or dining set by GMD Berlin, Germany.

1950's Mid-Century Modern wrought iron dining set by John Salterini, newly painted with new glass top and new leather upholstery seats.

Astonishing Brutalise 1960 set consisting of 1 table and 4 oak chairs covered in leather, which can be used as a side table or a games table. Certainly of eas...

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

Danish Modern mahogany dining chairs by Frits Henningsen, Denmark, circa 1930s. They have probably been refinished and reupholstered at some point. Beautiful caramel color leather se...

A rare rosewood dining set designed by Arne Vodder including a square dining table and four elegant chairs. Made in Denmark in the 1950s, by Sibast. In very good vintage condition, c...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished w...

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

De Couro of Brasil red leather dining room set. All in red nubuck leather; 6 dining room chairs and also the base of the dining room table. On top a very thick rounded glass top. ...

- made of solid EWalnut and leather - made by William Pagden furniture maker in Netherland - quality craftsmanship - Dining table signed by author - Chairs: H:102 W:47 D:60 /...

Here' s a full dining set experience by Ambrozia, including 8 shaker modern chairs & a 8ft richmond dining table in solid walnut. The Shaker chairs are handmade to order from our...

We are delighted to offer for sale this exceptionally rare original vintage Giancarlo Vegni designed for Fasem Italy dining table and Net chair suite A very good looking and well ...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H:74 W:121 D:77 - Chair - high of seat 43...

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

Insanely conceived and executed 1980's Italian carved elm table and 6 chair set. The drum shaped table and pedestal base is wrapped in red leather with Chrome Trim. The concave top is lined with inlaid wood and topped with a thick inset glass plate. The Whimsical Primitive chairs are hand carved with matching red leather seating...

Mid-Century Modern Italian set of 4 bamboo dining chairs with original floral fabric cushions. All the binding of the chairs are made with leather laces. The chairs can become a s...

A steel and canvas chair with a comfortable seat, easily stackable to save space when needed. This version has a blackened steel frame, an antique brass backrest, and a Sunbrella cre...

Leather basket weave wicker style square dining room table 4 chairs glass top set. All new beige wool upholstery. Table measures 42 x 42 x ...

HW Klein for Bramin. A extremely rare Scandinavian Modern, Danish extending teak dining table and six matching chairs with the original leather all in wonderful original above averag...

This is a beautiful armchair in darkwood and teak designed by Arne Vodder for Sibast. This amazing armchair is made of solid darkwood with black leather on the seat and back. This beautiful chair has great seating comfort and is especially suitable as an office chair or at the table. The chair has a great look that exudes quality and design. This is model 62a. The seats have all been reupholstered with black leather and new padding. The table has 2 extra extensions that can be used very easily when there is a lot of visitors. Very nice round to oval dining table designed by Arne Vodder for Sibast Mobler, Denmark 1955. This table has 2 extension leaves so it goes from 115 cm diameter round, to 170 cm wide with 1 extension leaf and to 215 cm wide with both extension leaves. The table is still in remarkable condition so we chose to keep it original. If you have a large family and do not always need a large table, this is the solution. You have a round or oval table or an extra long table...

This is an original Mark II Game table by Karl Springer. It is covered in the original brownish taupe leather with an inset glass top. The four chairs are in the original matching le...

A steel and leather chair with a comfortable seat, easily stackable to save space when needed. This tonal version has a blackened steel frame with a black leather upholstered seat. S...

Structure: Solid American walnut with metal bars and end caps in brass available in different finish. Top : Available in a wide choice of exclusive marbles , or in solid American...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

We are delighted to this stunning suite of eight Denby & Spinks Art Deco carved Walnut dining chairs with pale green leather upholstery These are part of a suite, in total I have ...

Refined dining set with Empire Style accents, consisting of a round table diameter 180cm and six finely hand-carved armchairs covered in gray butt...

A steel and leather chair with a comfortable seat, easily stackable to save space when needed. This version has a blackened steel frame, am antique brass backrest, and a granite leat...

Individual items are not for sale separately. A very popular supplier and manufacturer of furniture, Maple & Co. It is a perfect example of the English aristocracy and is still in great demand. The whole set is remarkable in that it has been kept intact this entire time, including the original 12 chairs at the table. The table has a rare unfolding system with two double action screw table expanders. One person alone can easily unfold the table by turning the handle. The system is patented by the company Joseph Fitter...

Here we offer a set of three Dan Wenger designs dining chairs and glass top table. The leather can be chosen in black, cognac, red and dark brown. Frame is lacquered in black. Chairs...

Very rare seating group model Scimitar designed by Preben Fabricius & Jørgen Kastholm. Produced by Ivan Schlecter in Denmark. Dimensions table (W x D ...

This 1970s signed Lion In Frost Lucite sculptural base dining table and original tufted leather Lion Frost dining chairs make for a great ensemble. The glass can be a much larger one to put on at your end. The base is solid. It is now at 46" round diameter. This was a replacement glass top. The leather of cream colored is the original leather fabric from the time. These are very comfortable to sit in. The tubular Lucite chairs...

Very rare Verner Panton Pantonova dining table and chairs, made by Fritz Hansen, Denmark, 1971. Cognac color leather seat pads. Set includes table, m...

Individual items are not for sale separately. A very popular supplier and manufacturer of furniture, Maple & Co. It is a perfect example of the English aristocracy and is still in great demand. The whole set is remarkable in that it has been kept intact this entire time, including the original 12 chairs at the table. The table has a rare unfolding system with two double action screw table expanders. One person alone can easily unfold the table by turning the handle. The system is patented by the company Joseph Fitter...

Stainless steel dining set designed by Gary Gutterman for Axius Designs in 1970s. Set includes glass top dining table and 8 chairs. All original and in very condition.

Round Art Deco table with 4 red leather chairs newer production with signs of wear around the table. The top is in good condition. The chairs have...

A rare and beautiful set of 8 sculptural rosewood dining chairs retaining their original black leather; there are six side and two armchairs in the set. Designed by Helge Vestergaard...

Mid-Century Modern round glass top dining table six chairs bamboo dining se by McGuire. Outstanding craftsmanship all bamboo parts are bonded with two differ...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

Beautiful complete dining set of of six No. 77 chairs and dining table No. 15 in warm teak by Niels O. Møller. The chairs have been reupholstered ...