Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Gio Ponti + Schirolli oak writing Desk mid-century modern Italian design

About the Item

Gio Ponti (1891-1979). Important desk Made for the University of Mantova manufactured by Schirolli in Italy, 1950. Walnut mid-century modern writing desk Measurements: 160 cm x 83 cm x 68 H cm. 63 in x 32.67 in x 26.77 H in. Provenance: University of Mantova. Details: Expertise by Salvatore Licitra Ponti from Ponti from Gio Ponti Archives. Giovanni “Gio” Ponti (born November 18, 1891, Milan, Italy–died September 16, 1979, Milan, Italy) is considered was of the most important and influential Italian architects. He was successful as an industrial designer, furniture designer, artist and publisher. His influence on modern Italian architecture is incontestable and he is often referred to as the father of modern Italian design. He worked in the design profession for a period of over sixty years. During his prolific career Gio Ponti produced a number of furniture pieces, decorative art works and industrial product designs, extracting old artisan skills whilst at the same time exploring modern production techniques. Additionally, creating important architectural works in Italy and internationally.
  • Creator:
    Gio Ponti (Designer),Schirolli (Manufacturer)
  • Dimensions:
    Height: 29.14 in (74 cm)Width: 32.68 in (83 cm)Depth: 63 in (160 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1950
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Barcelona, ES
  • Reference Number:
    1stDibs: LU237436174143
More From This SellerView All
  • Gio Ponti Set of four Mid-century Blue Italian Dining Chairs Model "Leggera"
    By Gio Ponti, Cassina
    Located in Barcelona, ES
    Gio Ponti (1891-1979) Set of four dining chairs, model "leggera" Manufactured by Cassina Italy, 1951 Measurements 82.55 cm x 44.45cm x 45.72 cm. 32.55 in x 17.5 in x 18 in. Litera...
    Category

    Mid-20th Century Italian Mid-Century Modern Chairs

    Materials

    Upholstery, Wood

  • Contemporary Orange Desk/Book Shelf by Guillermo Santomá Contemporary Design
    By Guillermo Santomà
    Located in Barcelona, ES
    Desk or bookshelf Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018 Aluminium, spray painting, wheels, methacrylate.
    Category

    2010s Spanish Desks and Writing Tables

    Materials

    Aluminum

  • Gio Ponti Pair of Armchairs, Model "803" Manufactured by Cassina Italy, 1955
    By Gio Ponti
    Located in Barcelona, ES
    Gio Ponti Pair of armchairs, model «803» Manufactured by Cassina Italy, 1955 Walnut, fabric. From the archives of Side Gallery, Barcelona Measurements 80 cm x 75 cm x 81.5 H...
    Category

    Vintage 1950s Italian Armchairs

    Materials

    Fabric, Walnut

  • UNUSUAL BAR CORNER CABINET IN THE MANNER OF GIO PONTI, Italy 1950s.
    By Gio Ponti
    Located in Barcelona, ES
    Fluted mahogany, brass details and glass shelves. The light is electrified for European standards. Includes original key and print of the naval scene.
    Category

    Vintage 1950s European Cabinets

    Materials

    Wood

  • Franco Albini Mahogany mid-centry Italian Table Model TL-22 produced by Poggi
    By Franco Albini
    Located in Barcelona, ES
    Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...
    Category

    Mid-20th Century Italian Mid-Century Modern Dining Room Tables

    Materials

    Mahogany

  • Desk by Joaquim Tenreiro, 1966
    By Joaquim Tenreiro
    Located in Barcelona, ES
    Desk Created for the offices of Bloch Editores, Sao PAulo Brazil, 1966 Jacaranda (rosewood) wood Measurements 145 cm x 70 cm x 75h cm 57 in x 27,55 in x 29,52h in Details Paqule of...
    Category

    Vintage 1960s Brazilian Desks and Writing Tables

    Materials

    Wood, Jacaranda, Rosewood

You May Also Like
  • 20th Century Italian Small Mahogany Schirolli Mantova Writing Table by Gio Ponti
    By Schirolli, Gio Ponti
    Located in West Palm Beach, FL
    A dark-brown, vintage Mid-Century Modern Italian writing table made of hand crafted polished Mahogany, designed by Gio Ponti and produced by Schirolli Mantova...
    Category

    Mid-20th Century Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Laminate, Formica, Mahogany

  • Petite Italian Modern Stained Mahogany Writing Desk by Gio Ponti for Schirolli
    By Gio Ponti
    Located in Brooklyn, NY
    Diminutive Italian student desk in stained mahogany designed by Gio Ponti for Schirolli, ca. 1950s, Italy. Sculptural form with angular leg details, presenting a sharp profile. There are three drawers and an additional open storage section created by the space between the top drawer and surface apron. Surface is a gray laminate, which can appear light blue depending on the light. Moderate wear present (scuffs to the laminate along with some scratches and old fills/repairs to the front and back concealing minor veneer losses and screw/drill holes). Drawers slide smoothly, and desk presents well. Lock is branded "Schirolli Mantova...
    Category

    Vintage 1950s Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Brass

  • Giò Ponti Desk for Schirolli. Italy 1960
    By Gio Ponti
    Located in Catania, IT
    Wooden desk, with three drawers produced in Italy in the 60s by the Schirolli company based on a design by Giò Ponti, the desk is in good condition, it shows some signs of wear due t...
    Category

    Vintage 1960s Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Wood

  • Black Onyx Glass & Walnut Italian Mid-Century Modern Executive Desk by Gio Ponti
    By Schirolli, Gio Ponti
    Located in New York, NY
    A Rare and Elegant Italian MId-Century Modern Neoclassical Desk / Writing Table by Gio Ponti in solid walnut with an inset top of black onyx glass and brass details. Ponti's design a...
    Category

    Mid-20th Century Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Onyx, Brass

  • A Mid-Century Writing Desk Attributed to Gio Ponti
    By Gio Ponti
    Located in Forest Row, East Sussex
    A Mid-Century writing desk. Mahogany and beech wood with three draws and lift up hinged top. Attributed to Gio Ponti. Dimension: H 78cm W 120cm D 69cm Origin: Italian Date: 1950 ...
    Category

    Vintage 1950s Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Mahogany

  • Gio Ponti Writing Desk in Walnut and Brass for the BNL Offices, Italy 1940s
    By Gio Ponti, Schirolli
    Located in Chiavari, Liguria
    A rare and collectable walnut desk with brass ferrules designed by Gio Ponti and produced by Schirolli (Mantova - Italy) in the 1940s for the Banca Nazionale del Lavoro (BNL - Nation...
    Category

    Vintage 1940s Italian Mid-Century Modern Desks and Writing Tables

    Materials

    Brass

Recently Viewed

View All