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Mid Century Modern, Iarge table by Roberto Poggi

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  • Mid-Century Modern French Black Lacquered Metal Table or Desk
    Located in London, GB
    Unusual French industrial style black lacquered metal dining table or desk.  
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    Vintage 1950s French Mid-Century Modern Dining Room Tables

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  • Mid Century Modern French Black Lacquered metal table or desk
    Located in London, GB
    Unusual French industrial style black lacquered metal dining table or desk.   
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    Vintage 1950s French Mid-Century Modern Dining Room Tables

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  • Mid-Century Modern Walnut Desk by Gio Ponti
    Located in London, GB
    This walnut desk designed by Gio Ponti is of a very useful size and elegant design with the typical Gio Ponti leg shape, seen in many of his pieces. The bottom of the leg is flicked ...
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    Vintage 1950s Desks and Writing Tables

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  • Mid Century Modern Model T333 desk by Osvaldo Borsani for Tecno
    By Tecno
    Located in London, GB
    Model T333 desk produced in 1975 from a design by Osvaldo Borsani and Eugenio Geri and manufctured by Tecno. The top is black lacquered walnut with an inset area of black leather. There are two minimal slim drawers, perfect for storage of pens etc and polished cast aluminium legs. with black trim. Manufacturer's label to side. This large and impressive desk with its minimal, sophisticated design would work well in both a modern or contemporary home. Literature: Giam Piero Bosoni, T Tecno L'eleganza discreta della tecnico, was established in 1953 the twin brothers Osvaldo and Fulgenzio Borsani with the goal of developing their father’s furniture company, Arredamenti Borsani, using the industrial process for the manufacturing of modern furniture. The history of the company goes back to the early 1920s, when woodworker and upholsterer Gaetano Borsani founded Atelier Borsani Varedo (later called Arredamenti Borsani Varedo) in Varedo, Italy. In spite of Arredamenti Borsani’s traditional approach, Osvaldo, designed the modernist Casa Minima furniture collection, while still attending architecture school at Accademia di Brera, and he won the silver medal at the V Triennale di Milano in 1933. Osvaldo’s ongoing involvement at the atelier continued to grow as he designed and built modernist furniture for the wealthy Milanese society. In 1954, a year after Tecno’s founding, the company unveiled its first factory-produced collection of sofas, chairs and tables and received accolades at the X Triennale di Milano. That same year, Osvaldo created the adjustable D70 sofa bed, which became an instant commercial success, and in 1956 he launched the P40 lounge chair, an adjustable reclining chair...
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    Vintage 1970s Italian Mid-Century Modern Desks and Writing Tables

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  • Mid-Century Modern Table Lamp by Sabine Charoy
    By Sabine Charoy
    Located in London, GB
    Polished chrome table lamp with spherical shade pierced with holes to allow the light to exit. This gives a very decorative effect in the room. The top of the sphere is removable to ...
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    Vintage 1960s French Mid-Century Modern Table Lamps

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  • Mid-Century Modern Glass Table Lamp by Vistosi
    By Vistosi
    Located in London, GB
    Rare large glass table lamp with unusual glass decorative details. The original glass label from Vistosi is on the base. The top lifts off from the blue glass base to change the bulb...
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  • Franco Albini Mahogany mid-centry Italian Table Model TL-22 produced by Poggi
    By Franco Albini
    Located in Barcelona, ES
    Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...
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    Mid-20th Century Italian Mid-Century Modern Dining Room Tables

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  • Cavalletto Dining or Working Table by Franco Albini for Poggi
    By Poggi, Franco Albini
    Located in Barcelona, ES
    Cavalletto or TL2 dining or working table designed in 1950 by italian architect Franco Albini, old Poggi edition. Wood construction with beveled edges tabletop and crossed legs with ...
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  • Brutalist Mid Century Modern Dining Table by Adrian Pearsall c. 1970
    By Adrian Pearsall
    Located in Saint Louis, MO
    For collectors and aficionados of high art furniture that inspires, this 1970s Brutalist Dining Table by Adrian Pearsall hits all the marks. Resin over wood is etched and finished in...
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  • Vintage Mid-Century Modern Rattan Desk or Table
    Located in Sheffield, MA
    Mid-century 1950's French bamboo desk or dining table. Wicker, rattan, faux bamboo.
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  • Mid-Century Modern Dining Table Desk Conference Table, Leather, Chrome
    By Richard Schultz, Nienkamper
    Located in Miami, FL
    Great leather top table with chrome base. Leather has a green brown color with a rich patina. Please see pictures. High-quality. Ready for a new home.
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  • Franco Albini for Poggi Table or Desk, Italy, 1960s
    By Franco Albini, Poggi
    Located in Almelo, NL
    Franco Albini for Poggi table or desk, Italy, 1960s Walnut table TL22 model by Franco Albini for Poggi Italy 1960s. It is in excellent condition, with a minor patina on the wood parts. This unique table or desk would be an eye-catching addition to any interior, such as a living room, family room, screening room, or office. It also perfectly fits in a hospitality or corporate location like a boutique hotel lobby or luxury loft. When you choose for used mid...
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