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Post-Modern Dakota Jackson Self-Winding Coffee Table Chrome 1978 Uncut Gems film
Iconic postmodern design by Dakota Jackson. The steel base features three levels of thick glass. Referencing the self-winding clock, the two “hands” of the table shift under and around the round top like the hands of the clock that hover ever so slightly apart from the clock’s face. This piece is featured in the 2019 film "Uncut Gems" scheduled for nationwide release December 25, 2019 and Netflix release on January 31, 2020. The film was chosen by the National Board of Review as one of the top ten films of 2019, with its star, Adam Sandler, chosen as Best Actor. It has been ranked the 92nd best film of the decade (2010) by The A.V. Club and is up for numerous awards this season. This work is often described as “semi-functional,” which is not exactly what it sounds like. This table is fully functional as a coffee table, and, yes, it can take a number of shapes depending on the placement of its “hands” ... but it also looks like it is supposed to do something more than what it actually can do. In other words, Jackson is poking holes in the haughty Modernist tenet that ‘form follows function.’ He shows us that something can look functional, have the functional aesthetic, and not necessarily function in the way that the aesthetic indicates. There is no “minimal” essential form that any essential function dictates. So to put postmodernism in a nutshell: one can sit on a chair and use a barstool as a table. One can sit on a barstool and use the chair as an ottoman. What makes the chair a “chair” and the stool a “stool” is not essential to what they are... The chair is a chair because it looks like a chair “should” and then we use it based on what we believe it to be. Of course what is so profound about postmodernism is not that the table might look like a clock or look industrial and glamorous at the same time, it is that design, literature, art, etc. can wake us up, inspire us to reconsider and perhaps set aside even for a glorious second all of the notions, identities, labels, memories, ideologies to which we cling and to experience the sweetness of the moment, the endless possibilities of now. 36” diameter x 17” h; 48” diameter movement PS - Very few examples of this design were made in anything other than brass tone. The chrome version seen here is quite rare.
- CreatorDakota Jackson (Designer)
- Of the PeriodPost-Modern
- Place of OriginUnited States
- Date of Manufacture1978
- Materials and TechniquesGlass,Chrome,Wood
- Condition DetailsVery good vintage condition. Rotating mechanism works well. No breaks or cracks. No major visible scratches apparent. No pitting or patina to chrome visible at this time. Presents extremely well. Minor age appropriate wear to be expected.
- WearWear consistent with age and use.
- DimensionsH 17 in. x Dm 36 in.H 43.18 cm x Dm 91.44 cm
- Diameter36 in. (91.44 cm)
- Seller LocationBrooklyn, NY
- Reference NumberLU4190312449153
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About the Seller
5 / 5
1stdibs seller since 2018
Typical response time: <1 hour
Located in Brooklyn, NY
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