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Mosaic Tile Coffee Table by Edward Wormley for Dunbar, circa 1950s, Signed

US$4,800
US$6,40025% Off

About

This spectacular deep brown walnut coffee table was designed by Edward Wormley for Dunbar, circa 1950s, and features Mid-Century Modern flared legs and golden mosaic tile inlay wrapping all four sides and on the table top. Signed underneath with the Dunbar Berne Indiana brass label. This mosaic tile inlay coffee table by Edward Wormley for Dunbar would work great in a Mid-Century Modern, Scandanavian Modern or Danish Modern home or penthouse apartment but could also look fantastic in a Contemporary or Post-Modern room. Also consider mixing it up in a Traditional, Transitional, Classical or Art Deco room with a splash of juxtaposition. Would also be an apt choice in a commercial project such as a hotel lobby lounge or members club, creative design studio or high-rise executive office. MEASUREMENTS: H 13" x W 62" x D 32" CONDITION: Recently restored with very light wear, very attractive and ready to be used immediately.

Details

  • Creator
    Dunbar Furniture (Manufacturer),Edward Wormley (Designer)
  • Dimensions
    Height: 13 in. (33.02 cm)Width: 62 in. (157.48 cm)Depth: 32 in. (81.28 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    Glass,Walnut,Mosaic
  • Place of Origin
    United States
  • Period
    1950-1959
  • Date of Manufacture
    1950s
  • Condition
    Refinished. Recently restored with very light wear, very attractive and ready to be used immediately.
  • Seller Location
    Los Angeles, CA
  • Reference Number
    1stDibs: LU1330223340462

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Los Angeles, CA
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About the Designer

Edward Wormley

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era. Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match. Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers. Many of Wormley’s signature pieces are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler. As the items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.
About the Seller
5 / 5
Located in Los Angeles, CA

Automaton is the premier source for early-production originals of hard-to-find 20th-century designs and functional art, serving a range of clients, from celebrities and interior designers to aficionados with modest budgets. Its 20,000-square-foot Los Angeles space is packed with rare examples of designs from a large repertoire of such ...

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Established in 2012
1stDibs seller since 2015
1,501 sales on 1stDibs
Typical response time: 2 hours
Associations
20th Century Specialists
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