Hungarian-Ash Centre Table Attributed to Holland and Sons

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

A very attractive antique late Regency giltwood centre table attributed to Gillow of Lancaster and London, inset with an Italian Pietra Dura top, The central turned baluster supp...

A Maltese pietra dura table top attributed to Joseph Darmanin & Sons, the circular top intricately inlaid with a central scene depicting a saddle...

Late Regency Amboyna centre table, attributed to the workshop of Edward Holmes Baldock. The circular top with a shaped apron set upon a solid trif...

A Victorian birch or satinwood writing table, attributed to Holland and Sons, the leather-inset top with moulded edges above a disguised single frieze drawer, the end supports compri...

A Regency rectangular rosewood tilt-top table attributed to Gillows, the rectangular top with bookmatched veneers set upon a shaped and reeded support with four splayed hip legs, Eng...

• One of the finest pieces of 19th century English furniture ever made • Firmly attributed to the Royal cabinetmaker, Holland & Sons • Made using stunning rare & exotic timbers, Th...

An exceptional Regency Burr Yew wood centre table attributed to George Bullock, the circular top having ebony strung segmented central panel and brass foliate scrolling floral marque...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

A magnificent library table Attributed to Jackson & Graham Of free standing rectangular form, constructed in coromandel, with inlays in thuya, ebony, boxwood, and honeysuckle; the fluted legs rising from square brass castor-shod feet; the frieze housing two lockable drawers fitted with rare ‘tamper proof’ Chubb locks and having quadrant moulded cedar lined interiors; the platform having a central panel of beautifully chosen matched coromandel veneers, with an outer guard border of a running pattern of stylised anthemions; the ebony edges having a thumb nail moulding, circa 1865 The firm of Jackson & Graham established in 1836 by Thomas Jackson and Peter Graham at 37 Oxford Street London, and for the next fifty years produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive of Cairo and the royal palace in Siam. They were particularly noted for their fine marquetry work, the use of Wedgwood plaques, rare woods, and fine casting of bronze mounts. They engaged the leading designers of the period, inter alia, Owen Jones, Bruce Talbert, Alfred Lorimer and Eugene Prignot. In the mid-1850s the workforce was recorded as 250, and by 1875, the company was employing 600 workers. They were feted exhibitors at many of the Great Exhibitions of the 19th century, and frequent prize winners. At the Paris International Exhibition of 1878, the furniture jury noted of them ‘ the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found’. In 1885 the company was absorbed by Collinson and Lock, who continued their standard of excellence. Charles Chubb was apprenticed as a blacksmith before starting business as a ships’ ironmonger in Winchester. Jeremiah soon joined the business, and by 1818 the brothers had branched out into lockmaking, founding the famous Chubb Company. The business really got started when Jeremiah Chubb patented his new ‘detector lock’ in 1818. The lock was constructed so that if someone tried to pick it or open it with the wrong key it became inoperable. To make the lock work again the owner had to use a special key supplied with the lock. The aim of the detector lock was to prevent burglaries, and to warn the owner that someone had tried to break into their property. The lock soon became popular, and sales of the Chubbs’ products increased even more when they won a government competition to design a lock that could only be opened using its own key. After the invention of the detector lock, the Chubbs decided to move to Wolverhampton, which already had an established lock making industry. By 1838 they were making 28,000 locks a year at their Wolverhampton factory. Another product was added to the Chubb range in 1835 when a patent was taken out for a burglar resistant safe, and in 1837 the Chubb safe...

A magnificent antique gilt-bronze mounted mahogany, kingwood, satiné trellis parquetry, and satinwood marquetry center table attributed to Francois Linke. The circular parquetry top...

This remarkable rosewood centre table attributed to legendary firm Gillows showcases masterful craftsmanship and stunningly rare hardstone specimens. The table's base is ornately crafted, complete with lion's paw feet, emphasizing the quality of the wood. The most impressive element of this beautiful piece of furniture, however, is the exquisite inlaid table top. Featuring eighteen semi-precious and hardstone specimens artfully arranged in alternating geometric shapes, rare stones like gem quality Lapis Lazuli, Egyptian porphyry and Siberian amethyst dazzle the eye. Other stones and specimens inlaid in square, circle and hexagon shapes include pyrite lapis lazuli, malachite, green aventurine, agate of amethyst, greek spartan porphyry, labradorite, fossilized wood, occhio di pavone, brèche verte d'égypte, sicilian jaspers, blood stone, spanish brocatelle, siena brocatelle, convent siena and nero antico. The sheer variety and superb quality of these features is an overwhelming visual delight and a triumph of craftsmanship. Hardstone pieces such as this were popular among the British aristocracy...