19th Century Giltwood Octagonal Drum Table

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

Important Palatial & Rare 19th Century Pietra Dura Giltwood Centre Table. This magnificent rectangular table incorporates an exquisitely inlaid Florentine Pietra Dura work of art. The truly incredibly and colourful hardstone specimens have been meticulously chosen & inlaid to form the most gorgeous floral display. It is amongst the finest of its type. This masterpiece is displayed on its original carved work of sculptural art, a baluster stem with acanthus leaves and raised on four acanthus leaf scrolled feet, the gilding, burnished in parts to perfection and highlighting a palatial majesty. The art of creating images by cutting hardstones and fitting them into a jigsaw of shapes, flowered under the Florentine Medici and is known as Pietra Dura. The technique of Pietra Dura is highly prized and widely used and can be found in settings ranging from antique jewellery boxes to the walls of the Taj Mahal. The development of the technique, often called ‘painting in stone’ was one of the many achievements of the Florentine Renaissance. Like many other forms of antique decorative art...

An elegant and rare early 19th century burr root maple drum top table on splayed triform base. Scandinavian circa 1820. The circular top with ra...

A very fine late 19th century hand-carved Regence style giltwood center table. With legs headed by female busts, a wavy "X" stretcher at the base with scrolls centering a medallion. Topped with a Patricia green marble top. This table is almost identical to the 18th century model made by the sculptor Jules Degoullons for the Château de Bercy in 1713. With his associates, André and Mathieu Legoupil, Marin Bellan and Pierre Taupin, Degoullons was responsible for much of the carved paneling...

An Italian walnut octagonal center table from the mid-19th century (or earlier), with geometrical inlay. We have a near pair available with slight variations in the dimensions, pleas...

We are delighted to offer for sale this large and very important carved giltwood marble topped impressive centre table circa 19th century A 19th century French carved giltwood centre table in the Louis XIV taste, surmounted by a rectangular panel of breche violette marble, within a foliate border, the cushion frieze decorated with foliage and with shaped and pierced acanthus and paterae aprons, on openwork square section tapered legs with acanthus leaf husk and paterae ornament, united by curved acanthus scroll stretchers with central finial The condition is really quite exquisite, there doesn’t seem to be any losses or issue with the carving anywhere, the marble is free from chips, there may be stress fractures as is often the case with old thick marble tables...