Louis XVI Style Secretary by H. Dasson, France, Circa 1880

A companion pair of Louis XVI style barometer and thermometer finely decorated with gilt bronze acanthus leaves and seeds on green velvet, each with a polychrome decorated enamel pla...

A Japanese style carved wood cabinet, with a painted decor imitating Japanese lacquer, ornamented with flowers, birds and butterflies. Opening onto two drawers and a paper filer, the upright-secretary door is also fitted with red velvet. Surmounted by a drawer and asymmetrical shelves, composed in the Japanese « zen » spirit, the cabinet stands on four legs joined by an engraved stretcher. The great influence of the Far-East, through China and Japan, in the second half of the 19th century French art could be found first in painting and soon after in decorative arts and furniture as well. Following the Franco-English military campaign led in 1860 against the Imperial army in China, the French troops of Napoleon III brought back from the Summer Palace, a part of the Chinese Imperial court treasure, which will make up the famous Chinese Museum of Empress Eugénie at the Fontainebleau Palace. The French artists won’t be long to take inspiration from those exotic and sumptuous objects for their creations, as they used to do in the 18th century, when the best French cabinet-makers adapted the Chinese lacquers on the luxurious royal chests. But the influence of Japan, at the Meiji period (1868-1912), came also very quickly to France, thanks to the opening of the country in the middle of the 19th century, as well as the development of traveling and the amazing Universal Exhibitions, in which Japan participated for the first time in 1867 in Paris. Then many Japanese objects and prints were imported to France and to all Europe, and for which some collectors spent already fortunes. With Manet and Impressionists generation, the passion for Japanese art, more than a simple taste for an exotic style, was still in fashion until the turn of the 19th century. It provoked not only a craze among the French aristocratic families as well as the wealthy Paris high society, wishing renew their mansion inner decoration, but turned also to a real revolutionary movement among the “avant-garde” artists. Those artists, whoever they were, painters, cabinet-makers or designers of ceramic, bronze and crystal objects, adapted then those techniques and naturalistic motifs unknown until this time. Christofle, very famous since 1867 as a silversmith, was also one of the leaders among the inventors of Japanism. He knew how to use Japanese elements to his own splendid works made in silver or “cloisonné” enameled bronze. During the 1878 Paris Universal Exhibition, Christofle presented with great success his life-sized bronze Japanese ladies torcheres, executed by the renowned sculptor Guillemin. Another famous company to be mentioned, is “L’Escalier de Cristal”, producing art objects and furniture, all of high standard quality and innovating much with their Japanese decor. Highly remarked during the Universal Exhibitions, “L’Escalier de Cristal” collaborated with the greatest artists, such Gallé and Rousseau for glass- and ceramic wares, and the cabinet-makers Lièvre and Viardot, whom made furniture including sometimes authentic Japanese elements. In 1872, Alfred Perret and Ernest Vibert opened in Paris, at 33 rue du Quatre-Septembre a store that offered “natural bamboo furniture and cane seats” and all kinds of textile fittings for furniture. This furniture used for winter gardens and terraces of mansions knew then a resounding success. They developed their business around 1884 with their Japanese style furniture, very close to that executed by Gabriel Viardot (1830-1906). In 1886, the company appearing in the category of “Chinoiserie and Japoneries” offered, in addition to furniture and seating creation, works of art and inlaid furniture directly imported from the Far East ; an activity that expanded rapidly. Their exotic fantasy furniture presented at the Universal Exhibition of Paris in 1889 and 1900, rewarded them two silver medals. In 1894, the company was listed under the name “Perret et Vibert”, headed by the son of Alfred Perret and Ernest Vibert. The same year, they redesigned their store on rue du Quatre-Septembre, creating ten new show-rooms, showing complete furniture sets of Japanese and Chinese style inspiration. It was not until 1895, that the company was finally named “La Maison des Bambous” and organized then in their shops an “exhibition of country furniture and seats for castles and villas”, which was visited by Empress Eugenie to furnish her villa Cyrnos at Cap Martin. She actually was a regular customer of the “Maison des Bambous” as she bought repeatedly furniture. In October of the same year, the king of Greece...

Charming Louis XV style reading table attributed to H. Dasson. It opens on one side by a compartmental drawer and by a sliding shelf, forming a writing board and being able to switch...

A very fine and rare set of four baluster-shaped covered vases made of faceted ovoid cut Baccarat crystal and adorned with a bronze mount of exceptional quality and kept with its ori...

Beautiful Louis XVI-inspired chimney mantelpiece, made in white "Carrara" marble. The molded lintel is decorated with a central flower motif, and square rosettes on the sides. The ru...

A Louis XVI style wall-side veneered wood pedestal, mounted with fine gilt-bronze ornaments. Topped with “Brèche” marble.

French Louis XVI-style (19th Century) parquetry inlaid drop front secretary abattant with gilt bronze trim and ring hands with 4 drawers below a fitted interior with a leather writin...

A very fine Louis XVI style gilt bronze mounted mahogany side cabinet with a Brèche Violette marble top, by Henry Dasson. Stamped to the top of the carcass ‘Henry Dasson’. Thi...

18th century secretary in Louis XVI style in walnut. It features three large drawers on the bottom and on the top the secretary opens to five s...

The secrétaire à abbatant or fall front desk is nearly identical to the desk 5th President James Monroe brought back from France in 1797. These desks are ...

French Louis XVI-style (1940s) ebonized & bronze trim abbatant form desk with a drop front interior above 3 drawers and below a single drawer & a white marble top. (stamped: JANSEN)

French Louis XVI-style (1940s) ebonized & bronze trim abbatant form desk with a drop front interior above 3 drawers and below a narrow drawer with a bronze design panel. (stamped: JA...