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1950 Cabinet/Secrétaire by Giovanni Gariboldi for Colli, Bubinga and Inlay Work

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  • Inquadrato Series of Cabinets Designed by Ennio Nonni for Fragiledizioni, 2022
    By Ennio Nonni
    Located in Milan, IT
    InQuadrato is a series of open cabinets, intended to be used as bed sides, offered in three different heights, each one is a unique piece painted by the artist. Sturdy and pictorial in taste, these ceramic cube cabinets presents considerable difficulties in the construction. The cityscape painting contained within the cube, somehow evokes a television monoscope or an antique stereoscope.
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  • Faccione, Lacquered Wood and Ceramic Eyeball Cabinet by Ennio Nonni
    By Ennio Nonni
    Located in Milan, IT
    This anthropomorphic container has an eyeball as handle, designed by Ennio Nonni, each cabinet is a unique as the eyeball is unique because it's individually modelled and painted. Th...
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  • Pair of Oak and White Opaline Glass Table Lamps by Luxus, 1950s
    By Uno Kristiansson, Östen Kristiansson
    Located in Milan, IT
    Pair of mod. 109 table lamps designed in the 1950s by Uno and Östen Kristiansson for Luxus, Sweden.
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    Vintage 1950s Table Lamps

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    Oak

  • Teak Wood and Brass Coat Rack by Melchiorre Bega from the Late 1950's
    By Melchiorre Bega
    Located in Milan, IT
    Wall panel coat rack in teak wood and brass, designed in the late 1950's by melchiorre Bega for Klan, retractible brass supports.
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    Vintage 1950s Coat Racks and Stands

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    Teak

  • Glass and Chrome Table Lamp by Gaetano Scolari for Ecolight, Removable Trays
    By Ecolight
    Located in Milan, IT
    Gaetano Scolari (former Stilnovo head of design) worked in the late 1960's for Ecolight (a Valenti lightning branch). This table lamp has its original removable trays which are rare ...
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    Vintage 1960s Table Lamps

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  • Floor Lamp by Angelo Brotto for Esperia in Lacquered Metal, Chrome and Glass
    By Angelo Brotto, Esperia
    Located in Milan, IT
    Italian floor lamp designed by Angelo Brotto and manufactured by Esperia in the 1960's. Six tubes made from lacquered and chrome metal and Murano glass diffusers.
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    By Pastoe, Cees Braakman
    Located in amstelveen, NL
    A wonderful piece from the Birch - series with distinctive laced legs. Designed by Cees Braakman for Pastoe in the early 1950s. Bookcase with 2 shelves an...
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  • Italian Mahogany Secretaire Cabinet, 1950s
    Located in Meda, MB
    Precious cabinet secretaire produced in Italy in the 1950s, The whole cabinet is veneered in mahogany with a fine solid wood carving in the center of the two doors representing two b...
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  • Art Deco Secretaire Cabinet by Jules Deroubaix
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  • King George I Ambassadorial Secrétaire-Cabinet
    Located in New Orleans, LA
    This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...
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