Victorian Mahogany Rounded End Bar

Classical style and impeccable design distinguish this English upright cane cabinet. Crafted of lustrous Cuban mahogany, this case is comprised of a beautifully paneled door which op...

This extraordinary Irish bureau cabinet was crafted based on a design for a desk and bookcase drawn from Thomas Chippendale’s famed 1762 edition of The Gentleman and Cabinet-Maker's ...

Highly-prized coromandel, or East Indian ebony, was used to create this beautiful Victorian vitrine. Featuring delicate inlay in the Victorian/Edwardian style and glass panels framed in the equally luxurious satinwood, this cabinet is constructed to fit flush against a wall with baseboards. Elegant cabinets such as this are perfect for displaying one's treasures, but with original locks, keys, mirrors and fleur-de-lis fabric, this case is a prized possession unto itself, circa 1890. Measures: 30" wide x 14 ½" deep x 41 ½" high. Coromandel ebony is variegated brown and black, often called "streaky," wood. It is considered a highly valuable wood for turnery, fine cabinet...

An excellent piece of horse racing history, this English jockey scale was specially crafted by Leuchars & Son of London. These handsome scales were used at English tracks to determin...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

This rare and stunning vitrine was crafted by the illustrious French ébéniste François Linke. A master of the Louis XVI style, Linke was renowned for his highly original designs t...

A mahogany dry bar or drinks cabinet crafted in mahogany, Georgian styled with a delicate serpentine curve to the front to give it a classic line...

A very well crafted two piece four door cabinet with book matched wood grained fronts opening to revel two glass and two wooden adjustable shelves with two smaller drawers one with d...

Cabinet, bar, solid mahogany, copper leaf veneer, lacquer. Production time: 12 weeks Measures: H 64.97 in, W 43.31 in, D 23.63 in H 165 cm, L 110 cm, D 60 cm.  

A beautiful Georgian or Chippendale style flip top buffet server or bar cabinet. By Thomasville USA, circa 1980s Carved mahogany, with origina...

A rare and exceptional Mid-Century Modern lift top bar cabinet By Paul McCobb for H. Sacks & Sons, "Connoisseur Collection" USA, 1950s Ma...

Awesome vintage Art Deco dry bar or liquor cabinet comprised of Philippine mahogany. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. We have added a new black painted base. There were several small areas that have been repaired or veneer replaced. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Early to Mid-20th Century. It's 5 O’clock somewhere!! What a FANTASTIC vintage Art Deco dry bar or liquor cabinet!! It is comprised of wonderful Philippine Mahogany and finished all the way around so it can float nicely in any room you choose, plus we have added a lovely new black painted base… and it looks FABULOUS! The front double doors are spilt at the top and in the center by a wood handle that runs the length of the doors of the cabinet. So, you can open the smaller top section and leave the lower portion closed or vice versa. The right door closes over the left, so simply pull the right-hand door using the handle which reveals the inside of the cabinet featuring shelves and a small center storage unit with doors. Piano hinges assist each door in opening and the back of the doors are lined with a gorgeous vintage bark cloth...