Gilbert Rohde for Herman Miller Art Deco Burled Acacia Chests w/ Ebonized Pulls

This elegant and understated nightstand was realized by Gilbert Rohde, one of the most celebrated and influential designers of the 20th century in the United States- in 1936. Handcra...

This handsome streamlined Machine Age Art Deco chest was realized in the United States, circa 1935. Composed of a lustrous black lacquer body, it features nickel stylized ribbon pull...

This elegant Art Deco/Hollywood pair of chest of drawers were handmade by the illustrious American producer, Charak Modern, circa 1942. It features the Fine level of craftsmanship an...

This Art Deco Machine Age Chest in Book-matched and Burled Walnut with Amber Bakelite Pulls originates from the United States, Circa 1935. Streamlined and utilizing beautiful geomet...

The Art Deco High Chest with Bookmatched & Burled Walnut showcases a streamline design with round drawer pulls, fluted front detailing and classic black lacquer to create a striking ...

This well composed and materially stunning Art Deco Bookcase/Cabinet by Gilbert Rohde in East Indian Laurel for the Herman Miller Company- Model No. 344 originates from the United St...

Beautifully refinished mahogany tall boy chest of four drawers by Gilbert Rohde for Herman Miller's 4140 collection with original off-white "leather cloth" (Fabrikoid) padded drawers. Top drawer is fitted with vide poche sliding and removable tray. See pages from original 1941 Herman Miller catalog...

We have a total of three available of these beautifully refinished mahogany chests of three drawers by Gilbert Rohde for Herman Miller's 4140 collection with original off-white "leather cloth" (Fabrikoid) padded drawers. Top drawer is fitted with vide poche sliding and removable tray and has original label. See pages from original 1941 Herman Miller catalog...

A pair of three drawer chests, designed by Gilbert Rohde for Herman Miller in the the 1930's. Bleached mahogany cabinets with original padded naugahyde drawer fronts. Great detailing...

1930s Art Deco Brazilian rosewood chest designed by Gilbert Rohde. Amazing quality and design, slightly bowed front design, five drawers behin...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...