Kartell Ghost Buster Commode in Crystal by Philippe Starck & Eugeni Quitllet For Sale
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Kartell Ghost Buster Commode in Crystal by Philippe Starck & Eugeni Quitllet

Estimated Production TimeIn Stock Now

About

The Kartell catalogue adds yet another piece to its furniture collection, the commode. Starck has revamped it and the Kartell-style commode evokes the lines of Classic furniture while its transparency and plastic material give it a contemporary voice. Corners and curves, straight lines and sinuous play over its surfaces and give life to an intriguing game of eye-catching perspectives and reflections. Ghost Buster with three open front shelves and four bifacial legs is the largest plastic monobloc ever yet made in the world of furnishings - another demonstration of Kartell's determination to break down all the barriers of technical Challenge.  

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Details

  • Creator
    Kartell (Manufacturer),Philippe Starck & Eugeni Quitllet (Designer)
  • Production Type
    Current Production
  • Production Time
    Available Now
  • In the Style Of
  • Place of Origin
  • Date of Manufacture
    Contemporary
  • Period
  • Condition
    New
  • Dimensions
    H 31.5 in. x W 16.5 in. x D 26.75 in.H 80.01 cm x W 41.91 cm x D 67.95 cm
  • Seller Location
    New York, NY
  • Seller Reference Number
    33210/B4
  • Reference Number
    LU4536214564781
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About Kartell (Manufacturer)

The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.


They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.


Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.


Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.


Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers. Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.

About The Maker

Kartell USA Inc

Kartell USA Inc

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A leading design company, founded in 1949 by Giulio Castelli and now run by Claudio Luti, Kartell is one of the symbols of Italian design around the world. A success story told through an incredible series of products – furniture, furnishings, lighting, home accessories – that have become part of the domestic landscape, not to mention actual contemporary design icons. The on-going evolution in the use of plastics and experimentation with new technologies and processes are fundamental for Kartell, which has always strived to innovate its functional performance and the aesthetic qualities of its products. In addition to being practical and functional, Kartell plastic is also sensual and precious, and radically transforms the perception of a plastic product from a merely functional object to a veritable luxury item.

About the Seller

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