Important Italian Painted, Ivory Inlaid Ebony and Ebonized Cabinet, circa 1860

A rare and highly important pair of neoclassical style gilt-bronze and biscuit porcelain mounted mahogany side cabinets, by Jules Piret. French, circa 1...

Beautiful 17th century travel cabinet made in marquetry of ivory and ebony. This piece was made in Italy, probably in north of the country, in Lomba...

Walnut cabinet inlaid and inlaid with ebony, copper, mother-of-pearl, bone and brass opening with 3 doors in the upper part and two doors in the lower part. Amount decorated with car...

An inlayed chest of drawers, produced in Italy, in mid-19th century XX century. Very good condition. Made of walnut wood, finished with marble top.  

Extremely fine Italian Baroque ebonized wood, faux ivory, and hardstone cabinet, Florence, 20th century. Decorated overall with Berainesque (light arabesques and playful grotesques) motifs including rinceaux, putti and mythical birds, and inlaid with various semi-precious stones including lapus lazuli, porphyry, various agates and marbles, the superstructure with domed pediment, the sides decorated with geometric stringing. Very grand cabinet and one of a kind. Please note: We have another cabinet to make a pair. Provenance: Private Castle in Dallas Texas, USA. Purchased in New York in the late 1970s. Measures: 91" high x 68" wide x 20" deep. Comes with keys. Good condition. Normal wear, cracks consistent with age use. Presents well and looks amazing in real life! The present cabinet, featuring an abundance of semi-precious stones amongst stylized faux ivory-inlaid foliage, is inspired by the luxurious inlaid furniture of the Italian High Renaissance. Promoted amongst craftsmen such as Pietro Bertinetti, who often reinterpreted or combined the forms and motifs of both Classical and Renaissance art, the fashion for certosa-style inlay flourished from the mid-nineteenth century. Whilst the quality of construction and execution of the inlay suggests a Florentine origin, the decorative language of the cabinet, with its Cinquecento rinceaux scrolls, amorini and cameos, is modelled on the North Italian workshops. Featuring an eclectic combination of various decorative elements in keeping with the Renaissance Revival, the cabinet’s inlay is quite comparable with the work of subsequent exponents of this technique, such as Giovanni Battista Gatti...

GERMAN EDWARDIAN INLAID EBONY TWO-PART CORNER DISPLAY CABINET By Max Böttcher, Düsseldorf, Germany original label to the reverse including the maker's address circa 1900 Item # 309...