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Louisiana World’s Fair Walnut Cabinet

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    This English cane cabinet exhibits classical style and impeccable design. Crafted of lustrous Cuban mahogany, this upright case features a beautifully paneled door which opens to rev...
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  • Mahogany Upright Cane Cabinet
    Located in New Orleans, LA
    Classical style and impeccable design distinguish this English upright cane cabinet. Crafted of lustrous Cuban mahogany, this case is comprised of a beautifully paneled door which op...
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    Antique 19th Century English Cabinets

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  • King George I Ambassadorial Secrétaire-Cabinet
    Located in New Orleans, LA
    This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...
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    Antique 18th Century English Georgian Secretaires

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    Brass

  • Mahogany Bureau Cabinet After Thomas Chippendale
    By Thomas Chippendale
    Located in New Orleans, LA
    This extraordinary Irish bureau cabinet was crafted based on a design for a desk and bookcase drawn from Thomas Chippendale’s famed 1762 edition of The Gentleman and Cabinet-Maker's ...
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    Antique 18th Century Irish Chippendale Cabinets

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  • 19th Century Watch Winding Display Cabinet
    Located in New Orleans, LA
    This incredible, one-of-a-kind watch display cabinet brings together the beauty of an antique with the functionality of modern technology. Crafted of mahogany, this 19th century jewelry display cabinet...
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    Antique 19th Century Unknown Empire Cabinets

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  • John Henry Belter Rosewood Armoire
    By John Henry Belter
    Located in New Orleans, LA
    One of the rarest furniture forms created by John Henry Belter, this armoire is a testament to this legendary cabinet maker's talent. Recognized as a Pioneer in design and craftsmans...
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    Antique 19th Century American Rococo Revival Wardrobes and Armoires

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    Rosewood

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  • Art Deco Signed Wolfgang Hoffmann for Romweber World's Fair Display Cabinet
    By Wolfgang Hoffmann, Romweber Furniture Co.
    Located in Forney, TX
    A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...
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    Early 20th Century American Art Deco Vitrines

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  • Antique Gothic Revival Walnut Cabinet
    Located in New York, NY
    A beautifully aged Gothic Revival cabinet crafted from walnut, circa late 18th-early 19th century. The wood is a warm reddish brown. It has accrued a fine, textured surface that can ...
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    Antique Late 18th Century European Gothic Revival Cabinets

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  • Walnut Cabinet
    Located in Saint-Ouen, FR
    Walnut cabinet Measures: Height 64.18 in. (163 cm) Width 31.5 in. (80 cm) Depth 23.63 in. (60 cm) Product features: Walnut root veneer, gold leaf, black lacquer, aged mirror, diamond quilted cream velvet fabric, Base: Polished brass. Estimated production time: 14-15 weeks. Iconic and unparalleled, the Pixel Cabinet...
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    21st Century and Contemporary European Cabinets

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    Walnut Cabinet
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  • Antique Tuscan Walnut Cabinet with Inlays
    Located in Milano, IT
    Antique Tuscan furniture from the late 16th, early 17th century of fine Italian manufacture, with splendid mastery of woodwork. The cabinet is...
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    Antique Early 1800s Italian Rococo Revival Cabinets

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  • Breathe Walnut Cabinet
    By Durame
    Located in Milan, IT
    This exquisite cabinet has a skin-like surface whose texture invites a tactile experience. The minimalist legs in bronzed iron support an imposing 2-door cabinet in "Canaletto" walnu...
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    2010s Italian Cabinets

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  • Bleached walnut cabinet
    Located in New York, NY
    Bleached walnut cabinet with one drawer and three internal glass shelf compartments.
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