Fine Late 19th Century Gilt Bronze-Mounted Cabinet

A fine late 19th century Louis XVI style gilt bronze-mounted double vitrine cabinet By Henri Picard The vitrine fitted with a nice inset marble top, the upper cabinet with a long single drawer and bronze women busts on the corners. The bottom part with ram heads and centered with cornucopia and a lions mask. Stamped HPR, for Henri Picard, on the back of some bronzes. The important fondeur and doreur Henri Picard worked in Paris from 1831-1884, most notably for the Emperor Napoléon III. He was based in Paris at 6, rue Jarente from 1831 to 1839, before moving to 10, rue de la Perle...

A fine Late 19th century Gilt Bronze Mounted Transitional Style Tall Cabinet By François Linke François Linke The marble top above two long doors, the front and sides quarter veneered. The top centered with a gilt bronze mask of Bacchus, the legs mounted with faces of a bearded man with head wear. The doors opening to shelves. Signed F. Linke to the top right clasp, stamped FL to the underside of some of the bronze mounts, the lock stamped CT LINKE / SERRURERIE. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a Gold Medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair...

A rare and palatial late 19th century gilt bronze-mounted Louis XVI style marquetry and parquetry cabinet. A heavy marble-top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

A late 19th century Louis XVI style gilt bronze-mounted mahogany cabinet by François Linke. Surmounted with a marble top, above a frieze and a bronze-mounted upper cupboard doo...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A wonderful late 19th century Napoleon III gilt bronze mounted carved ebonized cabinet. By J.B.A. Lanneau. Top drawer surmounted by a black portor marble-top, large single door with floral bronze designs, centered by a carved shield. Gilt bronze lion paw feet. Stamped Lanneau to the carcass. The firm was founded by Lanneau Pere circa 1855-1880 at 9, rue Saint-Ambroise. They exhibited at the Paris Exposition Universelle in 1867 and Vienna World Exposition...

19th century gilt painted wardrobe cabinet. A very special Qing dynasty wedding cabinet elaborately decorated with fine and exceptional gilt painting. The lacquer can be referred to ...

Hello, We would like to offer you this truly exquisite, early Biedermeier walnut cabinet. The piece was made in Vienna circa 1830. Viennese...

Tall cabinet with central projection, it opens with two leaves and a drawer belt and poses on high arched feet. It is clad in an elegant rosewood and amaranth inlay with geometric pa...

Original hand-painted cabinet made of pinewood. This cabinet has one door and one drawer. Original interior and locks. Originates Riesengebirge, Bohemen, dating circa 1850.

19th century painted tapered Chinese cabinet. Having elaborate panels with gilt painting and raised moldings. Warm red lacquer adorned with black lacquer and gilt painting. Framing the panels recessed into the molding are remnants of crushed seashell used...

Incredible 19th century wooden cabinet. Features a hand carved design through the front face of the structure.