Surrealist "Vis a Vis" sofa pink, solid brass by Salvador Dalí

A sofa that encourages confidence, taken from Dalí’s compositions for Jean Michel Frank. A typical surreal interpretation of a piece of furniture extremely bourgeois and conventional. This piece carries the appearance of human elements - a feminine hand, one with a jewel and another masculine one with a watch, embracing those seated. Structure in solid wood. Traditional upholstery...

In the pioneering year of 1972, the visionary duo of Salvador Dalí and Oscar Tusquets unveiled their very first prototype sofa, a testament to their inn...

Designed in 1972 by Salvador Dali along with Oscar Tusquets for the Mae West Hall at the Theatre Museum in Figueras. Since 2004 it’s been produced in rotomoulded polyethylene making ...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Three polished lacquered cast bronze pieces joined together. During the ‘thirties in Paris, Salvador Dalí surrounded himself with a circle of friends involved in the application of art to varied disciplines, above and beyond the study of pure pictorial art. Jean-Michel Frank, a furniture maker and decorator of recognized prestige in the Paris of those years, was on very good terms with Dalí and together they worked on several ideas. The Bracelli lamp which we present here is a classic design after Jean-Michel’s manner of designing and working, adopted by Dalí for his house at Portlligat. Amongst Dalí ’s specific furnishing projects, and constituting another for his curriculum vitae as a designer, may be counted the garden furnishings for his Portlligat house, the complete architecture of the Night Club (garotte-shaped) for the Hotel Presidente in Acapulco (1957) and another project for a bar in California in the ‘forties. As shown by the small selection now produced and included in this catalogue, Dalí ’s work was not restrictes to the traditional furnishing elements, but included tap fittings, handles, door-pulls, printed fabrics and objets of indeterminate use. In the 1990s a group of experts, led by Oscar Tusquets, set themselves the task of turning the furniture Dalí had drawn for Jean-Michel Frank into reality. Amongst these items were the Leda chair...

Coffee table Spain, 1935/37 DIMENSIONS: Table: 1900x451xh.420mm; Table with egg: 1900x451xh.610mm Legs in a cast varnish brass. Table top in brushed and varnished brass. Carrara marble egg on top. Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. During the 1930s in Paris, Salvador Dalí surrounded himself with a circle of friends involved in the application of art to varied disciplines, above and beyond the study of pure pictorial art. Jean-Michel Frank, a furniture maker and decorator of recognized prestige in the Paris of those years, was on very good terms with Dalí and together they worked on several ideas. The Bracelli lamp which we present here is a classic design after Jean-Michel’s manner of designing and working, adopted by Dalí for his house at Portlligat. Amongst Dalí ’s specific furnishing projects, and constituting another for his curriculum vitae as a designer, may be counted the garden furnishings for his Portlligat house, the complete architecture of the Night Club (garotte-shaped) for the Hotel Presidente in Acapulco (1957) and another project for a bar in California in the ‘forties. As shown by the small selection now produced and included in this catalogue, Dalí ’s work was not restricted to the traditional furnishing elements, but included tap fittings, handles, door-pulls, printed fabrics and objets of indeterminate use. In the 1990s a group of experts, led by Oscar Tusquets, set themselves the task of turning the furniture Dalí had drawn for Jean-Michel Frank into reality. Amongst these items were the Leda chair...

Sofa nº 54 designed by Dali manufactured by BD. Structure in solid wood. Traditional upholstery with conical springs and cinches. White cot...

Salvador Dalí sofa Vis-à-Vis De Gala Dimensions: 80 x 170 x 82 H cm Materials: Wood, upholstery, brass, silk Structure in solid wood. Traditi...

VIS-À-VIS DE GALA designed by Salvador Dalí for BD Barcelona is a part of art editions section. Vis-à-vis de Gala is a couch with a composition in solid w...

Sofa designed by Dali manufactured by BD. Structure in solid wood. Traditional upholstery with conical springs and cinches. White cotton interior lining. Wooden socket lined with po...

Salvador Dalí Limited Edition black sofa Vis-à-Vis De Gala Dimensions: 80 x 170 x 82 H cm Materials: Wood, upholstery, brass, silk ...

Salivasofá: First prototype sofa designed by Salvador Dalí & Oscar Tusquets, 1972. The measurements are: 175 x 110 x 80 cm Comes with a Certif...