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Edward Wormley for Dunbar Sofa Model 4907

$12,800

About

Edward Wormley for Dunbar, sofa model 4907, fabric and brass, United States, circa 1955. A remarkable sofa by Edward Wormley that is purely elegant, as it bears features of classic design combined with Minimalist, sober influences. In the words of the original Dunbar catalogue: 'This sofa takes the span as lightly as a suspensions bridge'. The comfortable four-seat sofa with soft peach colored fabric includes four rectangular pillows. The sofa has six tapered brass legs. The sides are high and straight which creates a shell-like body. Edward Wormley (1907-1995) was an American designer. After not finishing his degree due to lack of funds Wormley started to work as an interior designer. In the 1940s, Wormley was hired to work with Dunbar. Their collaboration was a success story as Dunbar incorporated several techniques and aesthetics from European design. It was Wormley's aim to create both a high-quality line that was also available for the masses. Literature: - Piña, Leslie. Dunbar. Fine Furniture of the 1950s. Pensylvannia: Schiffer Publishing: Atglen Publishing, 2000, p. 30-31, 172.

Details

  • Creator
    Edward Wormley (Designer)
  • Dimensions
    Height: 28.75 in. (73 cm)Width: 109.06 in. (277 cm)Depth: 34.26 in. (87 cm)Seat Height: 17.52 in. (44.5 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1955
  • Condition
    Refinished. Wear consistent with age and use. Fabric is in good condition, with minor signs of age and use. Of course, reupholstery is possible in any kind of fabric or leather you prefer. Ask one of our advisors for more information regarding the possibilities our in-house atelier has to offer.
  • Seller Location
    Waalwijk, NL
  • Reference Number
    Seller: 450121001stDibs: LU933120619302

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Waalwijk, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About Edward Wormley (Designer)

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid 20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.

     Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match. Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.

     Many of Wormley’s signature pieces are modern interpretations of traditional forms. His 1946 Riemerschmid Chair —an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine Table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler. As the items on these pages demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.

About the Seller
4.8 / 5
Located in Waalwijk, Netherlands

Established in 2007, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly e...

Recognized Seller
This designation is for sellers whose items consistently exemplify the best of 1stDibs.
Diamond Seller
This distinction is for experienced sellers who continually surpass customer expectations.
Established in 2006
1stDibs seller since 2012
2,958 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
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