Chippendale Style Carved Mahogany Triple Back Settee, 19th Century, England

A stately and well carved marble Corinthian column capital, 19th century, Italy. Presented and displayed inverted, with a typical decorative motif of acanthus and volute. Perfect f...

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

A small and charming Burmese cast bronze Buddha in the Ava style, late 19th or early 20th century, Myanmar (Burma). The image depicts the historical Buddha, Shakyamuni, seated in ...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A sophisticated Chinese carved and pierced hardwood scholar's tray, Qing Dynasty, 19th century, China. The tray of rectangular form with high sides and rounded corners. The sides...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

19th Century triple ball & claw armchair style settee bench sofa chippendale.

A very fine french 19th-20th century Louis XVI style giltwood carved settee by François Linke (d. 1946). The finely carved frame, upholstered in a recent cream fabric, topped with an...

A lovely 19th century Louis XVI style settee newly upholstered in a creamy ecru mohair silk velvet with nailhead detail.

19th Century Regency mahogany settee, England. In good conditions.

Large French Louis XV style cane back settee, also called canapé or sofa. Sofa in a very good state, no damage to the cane, rare find. Double-caned s...

English Chippendale mahogany shield back settee with carved Price of Wales plumes, ribbon and bell flower motif, reeded serpentine arms, and terminating on tapered legs with connect...