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Rare Barcelona Ottomans by Mies van der Rohe for G.R. Griffith, Original Label

US$12,500per set

About

Rare Barcelona ottomans by Gerald R. Griffith for Ludwig Mies van der Rohe, 1960s. By Gerald Griffith for Mies van der Rohe, produced for a short period of time by this Chicago metal worker, these ottomans feature sharper edges on the cross bars. Examples of Chicago-produced Barcelona chair began to appear in 1960. Manufactured by the metal-worker Jerry Griffith, this iteration of the Barcelona chair was the first to utilize stainless-steel. Griffith’s design sacrifices an element of long-term durability for elegance in its distinctive cross-joint, notable for the lack of extra supportive welding material. This design was utilized in many Mies-designed buildings in Chicago, including 886 North Shore Drive. Later versions produced by Knoll feature a more rounded cross section. Ottomans retain they're original leather, age appropriate wear, some minor repairs to corners, (see photo), also retain original leather straps.

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    Ships From: Buffalo, NY
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About the Designer

Ludwig Mies van der Rohe

Architect, furniture designer and educator, Ludwig Mies van der Rohe was a central figure in the advancement and promotion of modernist design and architectural theory and practice. Like Frank Lloyd Wright and Le Corbusier, he was a hugely influential presence in the field, who shaped the course of 20th-century architecture both through his buildings and his teaching of rationalist design principles. Born in the medieval German city of Aachen, Mies found an interest in architecture as a boy while working for his father, a master stonemason. He had no formal education as an architect, but learned his skills as an apprentice to the designer Bruno Paul, and as a staffer in the office the proto-modernist architect and designer Peter Behrens. Following World War I, Mies rose to prominence in his field amid the liberal atmosphere of the Weimar Republic. His reputation was secured by his work on the German Pavilion at the 1929 International Exposition in Barcelona (commonly referred to as the Barcelona Pavilion) — which Mies codesigned with Lilly Reich, his creative and romantic partner — a radically simple, poetic, open-plan building pared down to its architectural essentials. Mies would go on to direct the Bauhaus from 1930 until 1933, when Nazi-government interference forced the closure of the progressive art and design school. Later that decade, he made his way to Chicago, where he remained for the rest of his career as a practicing architect and a dean of the Illinois Institute of Technology. Mies’s famed dictum “less is more” grew from his belief that architecture both guides and expresses the spirit of the times, and he envisioned the 20th century as open-minded, logical, transparent and liberated by technology. His best-known buildings — residences such as the Villa Tugendhat in Czechoslovakia and the Farnsworth House in rural Illinois; skyscrapers like the 860–880 Lake Shore Drive apartment towers in Chicago and the Seagram Building in New York — reflect that philosophy. As do the most famous furniture designs authored by him or codesigned with Reich. Pieces designed by Mies and Reich such as the Barcelona chair, stools and daybed, or the cantilevered Brno chairs, deliver a maximum of comfort and support from a minimum of materials: their “lavishness” derives from the precision with which they are engineered and constructed. For the collector, the allure of Mies’s furniture is at once practical and idealistic. Useful and functional, his works embody the highest aspirations of modernism.
About the Seller
4.4 / 5
Located in Buffalo, NY
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