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Danish Wingback Chair in Mustard Upholstery by Fritz Hansen



Fritz Hansen, wingback chair, in oak and fabric, Scandinavia 1950s. High back chair in a mustard fabric upholstery. This chair shows the characteristics of the Scandinavian Modern style and is manufactured by the master cabinetmaker Fritz Hansen. The wingback shows beautiful curves and organic lines. Due the high back and 'wings' or 'ears' this chair give a warm and secure feeling to its user. Marked with manufacturer's stamp. Upholstered in taupe woven fabric. The upholstery shows traces of age and uses as well the foam which is crumbled. Therefore we advise re-upholstery. This is possible in any kind of leather or fabric of your choice. The very experienced craftsman of our in-house atelier are specialist on re-upholstery of design furniture.


  • Creator
    Fritz Hansen (Cabinetmaker)
  • Dimensions
    Height: 39.77 in. (101 cm)Width: 27.56 in. (70 cm)Depth: 31.5 in. (80 cm)Seat Height: 14.97 in. (38 cm)
  • Style
    Scandinavian Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Condition
    Wear consistent with age and use. Upholstered in taupe woven fabric. The upholstery shows traces of age and use as well the foam which is crumbled. Therefore we advise reupholstery, which can be done in our in-house atelier. Ask one of our advisors for more information.
  • Seller Location
    Waalwijk, NL
  • Reference Number
    Seller: 450127371stDibs: LU933117446202

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Waalwijk, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About Fritz Hansen (Cabinetmaker)

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in modernist design using new, forward-looking materials and methods.

Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs. In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) 

Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough. Designed by Jacobsen for the cafeteria of a Danish healthcare company called Novo Nordisk, the Ant was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit.

Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.

About the Seller
4.8 / 5
Located in Waalwijk, Netherlands

Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly e...

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Established in 2006
1stDibs seller since 2012
3,030 sales on 1stDibs
Typical response time: 1 hour
20th Century Specialists
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