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Charles Eames for Herman Miller Tandem Aluminum Lounge Chairs in Edelman Leather

US$3,600per item
US$4,899per item26% Off

About

Incredible pair of restored and reimagined Charles and Ray Eames for Herman Miller, 1962 Collection, Tandem modular seating that was originally designed for Chicago O'Hare Airport, where we sourced our sets that we completely restored with world-class, full grain Edelman Leather in a vibrant red Shagreen. For the modern-day eclecticists and discerning collectors, these pieces are heirlooms from the generation of the jet-set elite. Ray & Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962. Created for comfort and convenience, this chair is iconic and has never before been redone with such luxury in mind. We have a pair of these available, priced individually. Custom sling chairs can be created with a selection of leathers, contact us for more details. This pair of Mid-Century Modern reimagined classics, would be the perfect lounge chair for a Mid-Century Modern home, Contemporary home, Post-Modern home, Industrial home or Minimalistic home. Also consider for a hotel or lobby lounge restaurant project. Perfect option for creative offices and studios and executive / management offices as well. Contact us for rentals or large quantity orders, we have over 150 Tandem systems available for restoration.

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  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Los Angeles, CA
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    A return for this item may be initiated within 14 days of delivery.

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About the Designer

Charles and Ray Eames

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century. As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism. Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year. His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures. The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel. The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense. Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
About the Seller
5 / 5
Located in Los Angeles, CA

Automaton is the premier source for early-production originals of hard-to-find 20th-century designs and functional art, serving a range of clients, from celebrities and interior designers to aficionados with modest budgets. Its 20,000-square-foot Los Angeles space is packed with rare examples of designs from a large repertoire of such ...

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Established in 2012
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