International Style Armchairs

Chic Cesca arm chair, designed by Marcel Breuer. Iconic and timeless Bauhaus chair, still relevant to today’s interior spaces. This chair was produced ...

Italian Armchair , With Ottoman in Brown Leather Crocodile Made in Italy , The Finest Furniture. Beautiful And Rare Armchair and Ottoman .

Beautiful Armchair Poltrona In Emerald Velvet and Gold Fabric All Hand Made In Italy .

The Showtime veneer showcases an exquisite blend of rattan strips and coco twigs intricately woven together and adorned side by side. It is then delicately coated with a layer of res...

Incredible GERALDO DE BARROS original set of 4 armchairs in brazilian jacaranda circa 1960.

Luisa, one of three fabulous new accent chairs from the ever-talented Vito Selma, is sensual and seductive. With an organic shape to guarantee comfort...

Ultra glossy lacquered wooden armchairs inspired by the Classical Indian chairs of 19th century designed by Laura Gonzalez. Portuguese craftsmanship and Fabric "Medium in Love" by Fr...

Take a seat in a masterpiece of Yoruba craftsmanship with this captivating hand-beaded chair, adorned in a mesmerizing white and blue design that adds a touch of artistry to any space. Yoruba chairs have a rich history rooted in the cultural heritage of the Yoruba people of West Africa. They are known for their skilled craftsmanship and artistic traditions passed down through generations, resulting in beautifully handcrafted pieces like this white and blue hand-beaded chair. - 37"h, 25"w, 24"d, 14"h (seat height), 23"h (arm height) - White and blue floral arm chair...

The Showtime veneer is a combination of rattan strips and coco twigs inlaid side by side, then covered with resin. Repeated sanding and more resin give this material a lustrous Finis...

"Bella” is Italian for “beautiful” and this chair is truly that! Stable and comfortable, the intricate weave is done with leather and is available in several colors. The airy play of...

The Ari Chair is a true work of artistry in woodworking, showcasing a complex yet elegant geometric design that is simply stunning. Crafted from countless pieces of wood and finished to a smooth silky patina, this chair is offered in a choice of natural or rich reddish-brown tones. For added comfort, the chair comes with a taupe cotton seat...

The Bella Chair lives up to its Italian name, which translates to "beautiful." This stunning piece of furniture not only boasts intricate leather weaving, but it also offers remarkab...

Harmony, discretion, softness, hospitality. There are endless references to describe this armchair designed by a line that follows itself gently, without ever stopping. A stressless ...

Harmony, discretion, softness, hospitality. There are endless references to describe this armchair designed by a line that follows itself gently, without ever stopping. A stressless ...

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...

Ultra glossy lacquered wooden armchairs inspired by the Classical Indian chairs of 19th century designed by Laura Gonzalez. Portuguese craftsmanship and Fabric "Alizon" by French Mai...

Collectible design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Bruxelles armchair from 1960, Czech Republic. Highly recommended item will be perfect complementation of the rooms in not only Classic style, but...

Arco is an upholstered armchair of simple and enveloping geometry. The shape of the piece reproduces the arch of the body, creating a welcoming anatomical shell. The armchair is cove...

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...

Bruxelles armchair from 1960, Czech Republic. Highly recommended item will be perfect complementation of the rooms in not only Classic style, but...

Great scale armchair, perfect for a desk, made of straight cut oak, beautifully cerused. Two tone pony hide beautifully complements the wood. Jean-Michel Frank elements throughout.

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...