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Pair of "Oscar" Armchairs by Sergio Rodrigues, Brazilian Midcentury Design

$15,200per set
$19,000per set20% Off

About

Designed in 1956 by Sergio Rodrigues, this modern pair of armchairs are made of solid rosewood and straw. Created by Sergio Rodrigues in 1956, initially for the Jockey Club of Rio de Janeiro, the "Oscar" armchair was named after Oscar Niemeyer, considered one of the most important Brazilian architects in the development of modern architecture. The pair of armchairs have a structure in solid Rosewood and seat and back in natural straw. The armrests are sculpted with anatomical design. Sergio Rodrigues was born in Rio de Janeiro in 1927 and has been dubbed the father of Brazilian furniture. Indeed, responsible for establishing a new paradigm in design, setting himself apart with his very own language in his quest for a recognizable Brazilian identity. He became notorious for his use of robust woods like jacaranda, peroba, and imbuia to create quintessential icons.

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    Ships From: Clifton, NJ
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About Sergio Rodrigues (Designer)

The prolific architect and designer Sergio Rodrigues is often called the "father of modern Brazilian design," but it is the second adjective in that phrase that deserves emphasis: Rodrigues’s great achievement was to create furniture in a style that captured the spirit, character and personality of his country.


Modernity came slowly to 20th-century Brazil, politically and culturally. The nation finally realized genuine constitutional democracy in 1945, ushering in a new, progressive era in the arts. Until that time, heavy furniture based on historical European models had been the norm. In the late 1940s, designer Joaquim Tenreiro introduced sleek, minimalist chairs and cabinets; José Zanine Caldas, now best known for his later artisanal work, created plywood furnishings for mass-production; the Italian architect Lina Bo Bardi, a former editor for the Gió Ponti-founded magazine Domus, set up shop in São Paulo, designing elegant, flexible chairs set on slim metal frames.

     

This was the heady scene into which Rodrigues, the son of an artistically prominent Rio de Janeiro family, arrived after graduating in 1952 from the national university. He established Oca Industries in 1955, a company that would become the preeminent maker of modernist furniture in Brazil. When architects Lúcio Costa and Oscar Niemeyer were tasked in 1956 with the whirlwind project to plan, design and build the new capital, Brasília, in five years, they used Rodrigues’s early chairs, with their softly-contoured lines and caned seats and backrests, to furnish many of the buildings.

 

Rodrigues would realize the true expression of his talents in — and garner international awards and acclaim with — his Mole chair of 1957. The word mole means "soft" in Portuguese, but can be interpreted as "easygoing" or even "listless." Rodrigues's chair features a sturdy, generously proportioned frame of the native South American hardwood jacaranda, upholstered with overstuffed leather pads that flap like saddlebags across the arms, seat, and backrest. It is a chair that invites sprawling — perfect for the social milieu of the bossa nova and caipirinha cocktails; where a languorous afternoon spent chatting and joking is the apex of enjoyment. Most of the estimated 1,200 chairs, sofas, tables, beds and dressers Rodrigues designed in his long career are imbued, in one way or another, with this air of robust relaxation. Sergio Rodrigues was a designer true to the temperament of his people.

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Located in Clifton, NJ
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