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Gio Ponti High Back Armchair in Ivory Chenille and Walnut, Italy, Late 1940s

US$7,865.50Asking Price

About

This high back armchair was designed by Gio Ponti for a private commission in the late 1940s. The chair is characterized by its strikingly modern lines, elegantly tapered walnut legs and generous proportions. The comfortable armchair has been fully reconditioned and newly upholstered in an ivory Dedar "Sottosopra" fabric. This luminous and sumptuous double chenille fabric has a dotted galuchat pattern which creates a subtle play of light and dark. We can provide a sample of the fabric upon request. Expertise and certificate number 17121/000 by the Gio Ponti Archives.

Details

  • Creator
    Dedar (Weaver),Gio Ponti (Designer)
  • Dimensions
    Height: 42.13 in. (107 cm)Width: 31.11 in. (79 cm)Depth: 27.17 in. (69 cm)Seat Height: 18.12 in. (46 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    Late 1940s
  • Condition
    Wear consistent with age and use. The chair has been fully reconditioned and reupholstered in an ivory Dedar Sottosopra chenille fabric.
  • Seller Location
    The Hague, NL
  • Reference Number
    1stDibs: LU1803315972131

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: The Hague, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Designer

Gio Ponti

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism. Ponti (1891–1979) designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.Find a range of Gio Ponti furniture on 1stDibs.
About the Seller
5 / 5
Located in The Hague, Netherlands
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Established in 2015
1stDibs seller since 2016
99 sales on 1stDibs
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