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Bonacina 1889 Nastro Indoor Armchair Natural Rattan Upholstered, Joe Colombo

US$4,922.06per item

About

Design by Joe Colombo for Bonacina 1889, 1964. Plastic and sculptural shape, low seat, bold finish and colors make this piece emblematic of the 1960s design, a period that conceives furnishing objects as works of art, with which to give voice to thoughts and fantasies. Joe Colombo's vision sees furniture as autonomous, flexible, transformable and independent from the architectural context: in this way Nastro design becomes suitable for the most diverse atmospheres and living places. Structure available in Natural finish, Lacquered or Aniline Stained in the color card options (see images) or any color with RAL reference. Upholstery available in the color card options (see images) or in COM. Part of the Nastro Family: See Nastro sofa in rattan.

Customization Options

Available finishes (See Color Card) Structure - Natural Rattan Raw - Laquered: Argilla, Biancopuro, Greige, Lichene, Mandarin, Olivo, Ottanio, Zafferano - Anilin Stained: Gesso, Moro Upholstery: see Colour Card Customized Options Available

Details

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Lurago d'Erba, Italy
  • Return Policy

    This item cannot be returned.

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About the Designer

Joe Colombo

He died tragically young, and his career as a designer lasted little more than 10 years. But through the 1960s, Joe Colombo proved himself one of the field’s most provocative and original thinkers, and he produced a remarkably large array of innovative furniture, lighting and product designs. Even today, the creations of Joe Colombo have the power to surprise. Cesare “Joe” Colombo was born in Milan, the son of an electrical-components manufacturer. He was a creative child — he loved to build huge structures from Meccano pieces — and in college he studied painting and sculpture before switching to architecture. In the early 1950s, Colombo made and exhibited paintings and sculptures as part of an art movement that responded to the new Nuclear Age, and futuristic thinking would inform his entire career. He took up design not long after his father fell ill in 1958, and he and his brother, Gianni, were called upon to run the family company. Colombo expanded the business to include the making of plastics — a primary material in almost all his later designs. One of his first, made in collaboration with his brother, was the Acrilica table lamp (1962), composed of a wave-shaped piece of clear acrylic resin that diffused light cast by a bulb concealed in the lamp’s metal base. A year later, Colombo produced his best-known furniture design, the Elda armchair (1963): a modernist wingback chair with a womb-like plastic frame upholstered in thick leather pads. Portability and adaptability were keynotes of many Colombo designs, made for a more mobile society in which people would take their living environments with them. One of his most striking pieces is the Tube chair (1969). It comprises four foam-padded plastic cylinders that fit inside one another. The components, which are held together by metal clips, can be configured in a variety of seating shapes. Tube chairs generally sell for about $9,000 in good condition; Elda chairs for about $7,000. A small Colombo design such as the plastic Boby trolley — an office organizer on wheels, designed in 1970 — is priced in the range of $700. As Colombo intended, his designs are best suited to a modern decor. As you see on these pages, if your tastes run to sleek, glossy Space Age looks, the work of Joe Colombo offers you a myriad of choices.
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Established in 1889
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