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Aksel Bender Madsen Oak Armchairs for Fritz Hansen

US$7,450per set

About

Aksel Bender Madsen for Fritz Hansen, oak and black fabric upholstery, Denmark, circa 1955. These wide dining chairs are executed with a rounded back. The chairs feature a blond oak frame that forms a great colour palette with the black fabric. The chairs are solid and have rounded, soft edges seats and backs. The interesting thing about this design is the edge that has been taken out of the back seat where the armrests connect with the corners of the back. This creates a certain graphic, robust look. Larsen (1917-1985) and Bender Madsen (1916-2000) were both educated at the Royal Danish Academy of Fine Arts. Not only their friendship, but also their collaboration lasted a lifelong. From 1947 on they developed over more than 300 designs together. Always characterized by a clean, simple and timeless design.

Details

  • Creator
    Fritz Hansen (Manufacturer),Aksel Bender Madsen (Designer)
  • Dimensions
    Height: 31.5 in. (80 cm)Width: 24.41 in. (62 cm)Depth: 21.66 in. (55 cm)
  • Sold As
    Set of 4
  • Style
    Scandinavian Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1955-1960
  • Condition
    Refinished. Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftsmen in our in-house workshop. Special restoration or reupholstery requests can be done. We guarantee a very high quality standard, ask our design specialists for detailed information.
  • Seller Location
    Waalwijk, NL
  • Reference Number
    Seller: 450053311stDibs: LU933119883392

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Waalwijk, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Manufacturer

Fritz Hansen

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in modernist design using new, forward-looking materials and methods. Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs. In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough. Designed by Jacobsen for the cafeteria of a Danish healthcare company called Novo Nordisk, the Ant was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit. Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.
About the Seller
4.8 / 5
Located in Waalwijk, Netherlands

Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly e...

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Established in 2006
1stDibs seller since 2012
3,496 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
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