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Laila Karttunen Finnish Flat-Weave Carpet for Kiikan Mattokutomo, 1930s

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  • Pao Tou Tiger Chinese Export Hand Knotted Wool Antique Rug, circa 1930
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    Pao Tou tiger from China made in circa 1930 Hand knotted wool. Some repairs as we show on the photos. Measures: 131 x 198 cm.
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  • Antique Kaysery Turkey Hand Knotted Wool Rug, circa 1950
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    Antique rug from Turkey Kaysery, circa 1950. Hand knotted wool Measures: 121 x 176.
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  • Empire Hand Knotted Wool Antique Reproduction Large Rug
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    Imperio rug made in Spain, circa 1970. Hand knotted wool antique reproduction Measures: 300 x 300 cm.
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  • Antique Azeri Arts & Crafts Turkey Hand Knotted Large Rug, 1980
    Located in Barcelona, Barcelona
    Rug made in Turkey, circa 1980. Hand knotted Azeri 218 x 280.  
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    Vintage 1980s Turkish Heriz Serapi Caucasian Rugs

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  • Antique Caucas Daghestan Hand Knotted Wool Rug, circa 1880
    Located in Barcelona, Barcelona
    Antique rug from Caucas Daghestan, circa 1880. Hand knotted wool with some restaurations Measures: 93 x 157.
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    Antique 1880s Turkestan Kazak Caucasian Rugs

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  • Antique Anatole Turkey Hand Knotted Art Deco Wool Rug, circa 1940
    Located in Barcelona, Barcelona
    Antique Anatole rug from Turkey, circa 1940. Hand knotted wool Measures: 145 x 258. 145 x 258 C8 20793.
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  • Ararat Rugs Holland Park William Morris Carpet, Arts and Crafts, Natural Dyed
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    The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...
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