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Vintage Handwoven Märta Måås-Fjetterström "Park, Gul I" Wool Rug, Sweden, 1960's

US$77,898.42

About

Barbro Nilsson Sweden, 1960's "Park, gul I" rug. Handwoven wool on linen warp. Designed by Barbro Nilsson 1957. Handwoven at Märta Måås-Fjetterström AB, Båstad, Sweden. Märta Måås-Fjetterström (1873-1941), considered to be Sweden’s greatest textile artist, founded her studio in the southern part of Sweden in 1919, where artisan weavers learned to interpret Måås-Fjetterström’s many watercolour sketches into hand-woven masterpieces of knotted piles and ‘rölakan’ flatweave rugs, wall hangings and tapestries of exceptional quality and craftsmanship. In 1941 textile artist Barbro Nilsson became the studio’s director and, together with artists Marianne Richter and Ann-Mari Forsberg, they continued Måås-Fjetterström’s work. Her tapestries and rugs are represented at Louvre, Victoria and Albert Museum, Metropolitan Museum of Art and Nationalmuseum in Stockholm among many other museums. Measures: H 276 x W 225 cm.

Details

  • Creator
  • Dimensions
    Width: 88.59 in. (225 cm)Length: 108.67 in. (276 cm)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1960s
  • Condition
    Wear consistent with age and use.
  • Seller Location
    Copenhagen K, DK
  • Reference Number
    1stDibs: LU1011223252512

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Customs Duties & Taxes May Apply.
    Ships From: Copenhagen K, Denmark
  • Return Policy

    This item cannot be returned.

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About the Weaver

Märta Måås-Fjetterström

Märta Måås-Fjetterström was the leading figure in Swedish textile design in the early 20th century. Through her rug-weaving studio, Måås-Fjetterström introduced a modern and cosmopolitan spirit to the tradition-bound craft, creating some of the era’s most sublime carpets — works that are elegant yet have a handmade warmth and honesty.Måås-Fjetterström was the daughter of a small-town minister, and her creative bent led her to study drawing at the School of Industrial Arts in Stockholm between 1890 and 1895. She became an art teacher after graduating and began drafting textile designs in the late 1890s. At the time, Sweden was experiencing many of the same cultural concerns that fueled the English Arts and Crafts movement: fears that industrialization was causing many traditional handicrafts to wither into extinction. The state supported numerous artisan workshops, and Måås-Fjetterström was hired as director of a weaving studio in the southern city of Mälmo in 1905. She was dismissed six years later for insisting that artisans be allowed to create original patterns rather than merely copy old ones.She traveled widely in search of design inspirations, and in 1919 — thanks in large part to the patronage of Ludvig Nobel, grand-nephew of Alfred Nobel, who commissioned her to make all the rugs for a new country manor hotel — Måås-Fjetterström opened her own workshop. There she trained many of Sweden’s best modern weavers, including Barbo Nilsson and Marianne Richter. A major exhibition in Stockholm in 1934 brought public acclaim, a reputation secured worldwide by exhibitions at the British Museum in 1936 and the Metropolitan Museum of Art in New York in 1939. Måås-Fjetterström’s company, MMF AB, is still in operation, and most of her roughly 700 designs are available for fabrication.A broad range of influences can be seen in Måås-Fjetterström’s designs, among them Art Nouveau and classic Near Eastern and Asian styles. Her rug patterns fall roughly into two groups: The first includes stylized floral and other naturalistic motifs as well as modernized folkloric themes. The second comprises those employing geometric “tiles” in a formal composition based on that of Persian rugs, with an intricate border surrounding a central medallion. Måås-Fjetterström generally used a subtle color palette: Soft pastels predominate, punctuated by the odd vibrant note. Her rugs are remarkable for their flexibility of use in decor schemes. They are a perfect complement to simple modern furniture in both blond and darker finishes; at the same time, the rugs can act as a perfect calming foil to more ornate historical styles. Måås-Fjetterström's creations, particularly signed vintage pieces, are highly collectible. Her designs are found in the world's leading museums, including the Metropolitan Museum of Art, the Victoria & Albert Museum and the Nationalmuseum in Stockholm.
About the Seller
5 / 5
Located in Copenhagen K, Denmark
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Established in 2011
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