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Saint Stephen, Oil on Canvas, 17th Century, After Aegidius Sadeler's Engraving

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  • The temptation of St Anthony. Oil on canvas. 17th c., after David Teniers II
    By David Teniers the Younger
    Located in Madrid, ES
    Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...
    Category

    Antique 17th Century European Baroque Paintings

    Materials

    Other

  • Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century
    By Guido Reni
    Located in Madrid, ES
    Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642). Has faults. Oil on copper that shows the Virgin Mary seated on clouds...
    Category

    Antique Late 17th Century Spanish Baroque Paintings

    Materials

    Copper, Other

  • Gathering of Manna, Oil on Canvas, 17th Century
    Located in Madrid, ES
    Jews in the desert collecting the Manna. Oil on canvas, XVII century. Oil on canvas arranged horizontally in which a figurative theme is shown with a mountainous landscape in the ba...
    Category

    Antique 17th Century Spanish Baroque Paintings

    Materials

    Other

  • Sacrifice of the Mosaic Law. Oil on copper. 17th century, after RUBENS.
    Located in Madrid, ES
    Sacrifice of the Mosaic Law. Oil on copper. 17th century, inspired by RUBENS, Pedro Pablo (Siegen, 1577-Antwerp, 1640). Oil on panel showing a figurative scene located in a building...
    Category

    Antique 17th Century Spanish Baroque Paintings

    Materials

    Copper, Other

  • Devotional Pendant, Oil on Aventurine, Gold, Enamel, Spain, 17th Century
    Located in Madrid, ES
    Devotional pendant or reliquary. Oil painting on aventurine, enamel, gold. Spain, 17th century. Medallion or devotional pendant or reliquary made of aventurine or aventurine with an octagonal shape and faceted fronts, enhanced with a series of enamels combining black and gold, which protect two oil paintings with a Catholic Christian religious theme, located one on each side of the piece. Protected, you can see a very particular Virgin with Child for being inspired by the Icon of the Madonna del Popolo (Rome, Italy), and a simplified Martyrdom of San Lorenzo (the saint, the grill and an angel with a crown and the palm corresponding to the subject). The edges of the piece have been protected with simple metal elements. The painting of San Lorenzo follows a common composition in the Spanish school, and would recall works such as the painting of the main altar of the Church of San Lorenzo de Huesca, for example, but also others such as the engraving by Marcantonio Raimondi (executed around 1527) in some details. The so-called icon of the Madonna del Popolo was well known for being considered as made by Saint Luke, and was brought to the church of the same denomination by Gregory IX from the Sancta Sanctorum of the Lateran Palace after a flood caused a terrible plague in the city and through a solemn procession with the image of Santa Maria del Popolo. Regarding the material of the piece, a certain type of glass and a type of quartz (which can be green or reddish-brown, and usually has tiny elements of yellow mica that give it golden reflections) is known as aventurine or aventurine. In the first case, it is known that “aventurine” or “stellaria” appears mentioned in the Murano workshops for the first time during the first quarter of the 17th century, in reference to a very complicated production paste (it is said that the name comes from of this circumstance, that is, that its creation was due to luck or luck) that imitates the effects of that stone (from India and Russia at that time) thanks to the inclusion of copper particles, and that it was used as if out of stone (cut) given the complexity of its use in blowing (practically impossible). And, dealing with this material, it is necessary to mention “The Nativity” by Pietro da Cortona, dated around 1656, which is kept in the El Prado...
    Category

    Antique 17th Century Spanish Baroque Religious Items

    Materials

    Gold, Enamel, Other

  • Virgin with Child. Terracotta. 20th century, after 17th century models.
    Located in Madrid, ES
    Virgin with Child. Terracotta. 20th century, following models from the 17th century. Figure of Virgin with Child Jesus, made following common models in Spanish Baroque sculpture of ...
    Category

    20th Century Spanish Baroque Religious Items

    Materials

    Terracotta

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